Tuesday, April 5, 2022

Day Five ... NaPoWriMo / Poem-a-Day 2022


Robert Lee Brewer’s Poem-a-Day prompt: “Here are the Two-for-Tuesday prompts:   1. Write a Make Sense poem, and/or...   2. Write a Don't Make Sense poem.”

Maureen Thorson’s NaPoWriMo prompt: “write a poem about a mythical person or creature doing something unusual — or at least something that seems unusual in relation to that person/creature.”

Today's effort mixes all three prompts for another aswang poem in my novel in progress. As on Day One, we have Clara, a manananggal vampire, who is traveling with her son Malcolm, as they seek a new home in the Philippines. They are in the Philippine province of Capiz, which according to longstanding Philippine myth is the home and origin of the aswang monsters.

Almost, Almost

Malcolm and I had been in Roxas City
for less than a week, days spent relaxing
in our vintage hotel, with its Spanish
thick walls covered in flowering vines.

The sweet Capiz air awakened in me
long-buried urges I had not felt in ages.
My heart yearning in the dark upward
to the full moon. With Malcolm asleep,

I separated my torso from my hips and
slipped out the window, my black wings
invisible in the night sky, their susurrus
whisper the only clue to my presence.

I wheeled in a circle above Immaculate
Conception Church and the famous
fountain nearby, gurgling like an infant.
My tongue sinuously snaking ahead,

I tasted the air, seeking the slight scent
of a young woman with child, asleep.
Yes, there! A modest wooden house
on the edge of the city to the north,

by the Sibuyan Sea. The salty tang
in the air could not mask the perfume
of sweet womb liquor emanating
from her body, nectar of my kind.

I hovered outside her window,
listening to her breathe evenly
and slow. I was in moonshadow,
soft under a bamboo overhang.

I extended my hollow tongue
toward her, its prehensile tip
moving in serpentine curves
toward her succulent belly.

And then I stopped. I smelled
her amniotic fluid in the space
between us. But instead
of piercing the smooth muscle

over her womb, I reached up
and caressed her cheek.
She moaned slightly and
turned away from me.

Reluctant minutes later, I
reconnected my two halves,
breasts again one with yoni.
And Malcolm slept, unknowing.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


Immaculate Conception Cathedral
Roxas City, Capiz, Philippines

Regarding the prompts, it makes sense that Clara would be moved to resume her aswang monster ways and then it doesn't make sense that she would relent at the last second from her attack. This is the unusual action by a mythical creature asked for in the NaPoWriMo prompt. In the novel, this poem would probably come right before "Final Flight," the Day One poem.


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.  ヅ 


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Monday, April 4, 2022

Day Four ... NaPoWriMo / Poem-a-Day 2022


Maureen Thorson’s NaPoWriMo prompt: “I’d like to challenge you to write a poem . . . in the form of a poetry prompt.”

Robert Lee Brewer’s Poem-a-Day prompt: “write a catch up poem. This is not to be confused with a ketchup (or catsup) poem, but hey, write one of those if the poetic spirit moves you! ”

Today's poem, which merges the two prompts, riffs on Banana Ketchup, a Philippine condiment. While the poem is not written in hay(na)ku — it's a free verse list poem — it uses the word hay(na)ku as a stand-in for the Philippine banana and also for poetry in general.

Banana Ketchup

1. Write the banana tree growing in the sideyard by the veranda.
2. Write the banana tree’s palm-like fronds sweeping the sky.
3. Write bunches of hay(na)ku, hanging down from the tree trunk.
4. Write an elegy for the purple flower heart below the hay(na)ku.
5. Write the bolo knife that will harvest the hay(na)ku bunches.
6. Write each hay(na)ku’s yellow skin peeled back from the sweet.
7. Write peanut oil, garlic, vinegar, ginger, honey, mashed hay(na)ku.
8. Write the blending, simmering, stirring in red color, the bottling.
9. Write the label on the bottle: Banana Ketchup. The Philippines.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Banana ketchup was invented by Maria Orosa, a Filipino food technologist, during WWII, because of a shortage of tomatoes in the Philippines."Before creating the first banana ketchup recipe, Orosa had already made waves in her home country through her various innovations, from freezing mangoes to inventing the palayok oven. She also created provisions that Filipino soldiers consumed during World War II, such as a nutrient-rich soya bean drink called Soyalac. The National Historical Institute recognized Orosa as a humanitarian and war hero" (Meet the war hero who invented banana ketchup). Here is the Google doodle celebrating Maria Orosa on 29 November 2019:

Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.  ヅ 


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Sunday, April 3, 2022

Day Three ... NaPoWriMo / Poem-a-Day 2022


Maureen Thorson’s NaPoWriMo prompt today calls for “a Spanish form called a 'glosa' — literally a poem that glosses, or explains, or in some way responds to another poem. ”

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a smell poem.”

Today, however, I'm "going rogue" (as my poet friend Thomas Alan Holmes calls getting off the prompts). Not feeling the love from either of these prompts. Instead, I am writing about a sculpture on the University of Northern Iowa campus: Balanced/Unbalanced Beaks by Fletcher Benton (1993). Here's a pic I snapped recently of this striking masterpiece.
The sculpture is 15 feet tall and 12 feet wide, weighing in at 3,500 pounds, and costing $76,000 in 1993 when it was installed (according to the university archives). I have wanted to write about this sculpture since I started working at UNI, just a couple of years after it arrived on campus.

The poetic form I am using today is the curtal sonnet, invented by Gerard Manley Hopkins — 3/4 of a sonnet in length and structure.

Conspiracy Theories
Balanced/Unbalanced Beaks
by Fletcher Benton (1993)
Did a giant child drop a toy, red hoop
and stick, frozen forever, spinning yet
also standing still? Shards of vermilion

shrapnel fixed in air, a wild gyroscope.
Into an angry sky, strange banners lift
muffled alarums, a million alien

warriors landing their spaceships. But surely
not? Just some welded metal in concrete,
you say. Are you sure? A space invasion
could never happen, right? Fake news, clearly.
                                      Or is it a warning?

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Here are some more of my photos of the Benton sculpture.
I'm always struck by the strident color of this sculpture as well as the fascinating perspectives you get walking around it. It's infinitely entertaining and mysterious.


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.  ヅ 


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Saturday, April 2, 2022

Day Two ... NaPoWriMo / Poem-a-Day 2022


Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a second chance poem. That second chance could be a second chance at a relationship, at living life, or doing the right thing. Maybe play with whether it's deserved or not, or just dive straight into giving or taking that second chance.”

Maureen Thorson’s NaPoWriMo prompt: “Today, I’d like to challenge you to write a poem based on a word featured in a tweet from Haggard Hawks, an account devoted to obscure and interesting English words.”

This morning, I woke up and realized it had snowed last night. Here's how my car looked.
I was annoyed but also elated because I saw the possibilities for a poem merging the two prompts. A quick search through Haggard Hawks's Twitter yielded quite a few germane words. I ended up using eight (defined below the poem).

Today's form is a hay(na)ku sonnet. The hay(na)ku was invented in 2003 by the poet Eileen Tabios. It's a word-counting form: first line, one word; second line, two; third line, three. It can also be reversed. The hay(na)ku sonnet is my invention: five hay(na)ku stanzas with the last one collapsed into a couplet, in order to get the requisite 14 lines.

Afterwinter

What?
Snow again?
Winter’s second chance.

We need reverdie!
Not clumse
chagrin.

Old
Man Winter!
Stop your dretching.

We are forwintered.
We crave
greenout.

We are chirplings,
inward glisks erupting!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Here are the words I used in the poem, from Haggard Hawks tweets, in the order they appear in the poem:

An AFTERWINTER is a period of unseasonably cold or bad weather when
spring is expected. (12 Mar 2021)

A REVERDIE is a song or poem celebrating the return of spring. (27 Feb 2021)

Word of the Day: CLUMSE (adj.) benumbed with cold. (20 Feb 2022)

To DRETCH is to leave slowly or reluctantly. (10 Feb 2022)

If you’re FORWINTERED then you’re feeling exhausted or worn down by the
winter months. (28 Feb 2022)

A word coined among Antarctic researchers and polar scientists, GREENOUT
is the relief a person who has worked or lived in a snowy area for a long time
feels on seeing something fresh and green for the first time. (22 Feb 2022)

A CHIRPLING (19thC) is a tiny bird. (8 Feb 2022)

A GLISK is a brief glimpse of warm sunshine. (21 Feb 2022)


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.  ヅ 


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Friday, April 1, 2022

National Poetry Month / NaPoWriMo / Poem-a-Day 2022


Friends, welcome to a new round of April poems! Once again, I'll be following prompts from Robert Lee Brewer at Writer's Digest and Maureen Thorson at NaPoWriMo, mixing them whenever possible.

Robert Lee Brewer’s Poem-a-Day prompt: “[P]ick a word that begins with F, make it the title of your poem, and then, write your poem. I don't know if it's because today is April Fool's Day, Friday, or just the first day of the challenge, but today really feels like an F type of day.”

Maureen Thorson’s NaPoWriMo suggestion: “The prompt is based on Robert Hass’s remarkable prose poem, 'A Story About the Body.' The idea is to write your own prose poem that, whatever title you choose to give it, is a story about the body. The poem should contain an encounter between two people, some spoken language, and at least one crisp visual image.”

Today, I wrote another poem to go in my aswang novel-in-poems. Aswang are mythical Philippine monsters. At this point in the novel, our protagonist Clara and her grown son Malcolm have returned from the US to the Philippines. She is a manananggal who can split her body at the waist and fly with bat-like wings that grow at that moment.

I am melding both prompts today. However, instead of simply a prose poem, as Maureen prompted, I have written a haibun, a Japanese form that combines prose and haiku.

Final Flight

The breeze ruffles my long hair, invisible fingers combing. I beat
my wings hard and rise into the glorious night, the moon glowing
above me like a mother’s face lit by a votive candle. As I swoop and
glide, the dark land below — rice paddies, mountains afar — and the
thousand stars above swivel majestically around this small half-woman.
I revel in the wind buffeting against my pinions for the last time. Then
down down to the jungle clearing where Malcolm, always faithful son,
stands waiting with a bolo. We look at each other and I say, “Yes.”
I gingerly lower my torso on my waiting hips.

                            Oh mother     I strike
                            twice     the wings fall from your back
                            you stand     free at last

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


            Image by flo222 on Pixabay


Friends of the blog know that for several years now, I've showcased April poems by my poet friend Thomas Alan Holmes alongside my own. Alan is an associate dean at East Tennessee State University, and his administrative and academic work is keeping him away from poetry this April. So sorry about that, Alan! Some good news, though: his first collection of poems will be coming out from Iris Press this year. Everyone, I'll let you know when that book comes out. Early congrats, Alan, old friend.


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.  ヅ 


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