Friday, April 24, 2026

Day 24 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 98


Greetings once more, friends! My poem today is #98 in this year's Stafford Challenge (and #463, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: “Today, we challenge you to write your own poem that takes place at night, and describes something magical or strange that happens but that no one is awake (or around) to notice.”

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write an unidentified poem.”


Let me do something different today and give you a photo first. To whet your appetite for later.

Photo Source

Okay, now on to the poems. I'm happy today to combine the two prompts in two poems — both prompts in both poems — which I'm grouping together as a single poem with two titled sections.

Strange Night Tankas

            “Spring Riddle”

Dark flying creature
swooping under stars, her long
winter sleep done, makes
a baby with sperm she saved
since fall . . . skin wings swoosh unseen.

            “Moon Gardens”

Moonflower vines bloom
white at night, beckoning bats,
Luna Moths, Sphinx Moths,
and other mysterious
creatures to scatter pollen.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Bat and flower (Photo Source)

If not for the "unidentified" prompt, however, I probably would have given the first tanka a straightforward title like "Little Brown Bat in Iowa Spring" and have it be a poem on its own. (A single tanka is usually not titled, though, so that's something to [re]consider.) The second tanka, separated out, would probably still be "Moon Gardens," but it could be expanded later into a multiple-tanka sequence. Actually, maybe both sections could become separate tanka sequences, in which case the presence of the title(s) would be defensible. We'll see. Oh! The info in the first tanka is all true with the Little Brown Bat . . . the delayed fertilization is pretty trippy.


Today, Alan has an interesting approach to the prompts with a poem in six-line stanzas (sestets) in tail rhyme or maybe rime couee, both rhymed aabccb — however all in pentameter, rather than the varied line lengths usually associated with those forms.

Mothman (Not an Elizabeth Bishop Allusion)

I was driving a van back from Athens, OH,
because that was the place that we had to go
for an Appalachian Studies conference at the school,
when a colleague and a good friend of mine
asked the students in the van if they would be fine
if we took a little side trip to see something cool.

I figured I knew what she had in mind,
because, I tell you, for the longest time,
she’d been just crazy about cryptids that bump in the night,
and she smiled just as sweet as a honey-drowned pissant
when she told us we’re going down to Point Pleasant
to the Mothman Statue, the area’s most pleasant sight.

The Mothman’s West Virginia’s best feature,
inspired by a ’60s account of a creature
that disrupted two couples parked outside the city line.
It was bigger than a man, superlinebacker size,
with great giant wings and red glowing eyes
like the flames from a mystical, radiant, sacred sign.

There’s a Mothman Museum and a statue, as well,
but the clouds had gone gray. It was colder’n hell,
and the two-lane beside the Ohio was narrow and long.
I was getting about as antsy as a pre-school teacher
when one of the students, a jackleg preacher
from a rescue mission decided to sing an old song.

It was a Charlie Daniels tune about being a hippie
in some backwoods town, maybe in Mississippi,
and I was relieved it wasn’t about the Georgia fiddler.
He was sharing the back bench seat with a woman
who kind of admired his air guitar strummin’
and his puppy dog look that meant he’d like to diddle her.

The action in the back was getting bolder and bolder,
and I began to feel a kind of burn on each shoulder
that jolted me so hard I clenched the steering wheel.
They were laughing and cooing and tickling and slapping,
and as I glimpsed in the rearview to see what was happening,
what I saw instead I could not believe to be real.

Now the other students were lost in their phones
and without a clue. It felt like my bones
would pull out of their joints as I grew to twice my size.
I was not feeling good, and I got in a hurry,
then saw how my hands had gone lengthy and furry,
and there in the mirror were red-glowing, saucer-sized eyes.

My colleague behind me caught us in the curve
and pulled up beside us as I made a swerve
to a paved parking lot of the First Baptist Fellowship Hall.
I put it in park and switched off the ignition
marveling I had retained my cognition,
wrenched open my door and stood outside, naked and tall

except for some shorts with near-popping elastic
(because all my proportions were downright fantastic),
and I felt a compulsion to fly, but I couldn’t say where,
and my colleague was weeping with joy as her camera
captured what otherwise would be ephemera
but became a staple of memes popping up everywhere.

There’s not much to tell about what happened next.
The mayor responded to somebody’s text
and had us escorted downtown, put us up for the night—
except me, under watch, when the first early ray
of the sun put me back to myself. To this day,
I’ve not been the Mothman again, and I feel all right.

No, that part’s a lie. There are times, early mornings,
when newscasts describe what smart folks see as warnings,
my shoulders start burning, and I take a flight near my home,
wake some dogs, roust some deer, hear the earliest cooing
of doves, feel the mist, realize what I’m doing
is clearing my mind for the challenging day yet to come.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

About this poem, Alan told me, "There is really a Mothman Statue in Point Pleasant." And there it is up above, red eyes and all. Go up and look at it again. Be sure to click on it to see it larger. And pinch it wider to see it even better. That's a great yarn, Alan! It is a yarn, right?

Photo Source

Incidentally, the Elizabeth Bishop allusion that this poem is not, is to her poem "The Man-Moth" (though that's worth looking at for another magical creature — or man?).


Thanks for visiting the blog, dear readers. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   



Thursday, April 23, 2026

Day 23 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 97


Hello again, friends! My poem today is #97 in this year's Stafford Challenge (and #462, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: “Try your hand today at your own take on a villanelle, and have the poem end on a question.” Here's a great page on the villanelle: https://poets.org/glossary/villanelle

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a juxtaposition poem.”


I'm happy today to present a villanelle on my hometown and its juxtaposition of variations, for example, bringing together native San Franciscans with other residents born elsewhere, including foreign countries.

City of Juxtapositions

            —villanelle

Come with me to
the place where I was born —
San Francisco.

Each night I was soothed to
sleep by distant foghorns
crooning, “Come with me to

Dreamland.” They called out to
people foreign-born,
“San Francisco

can be your refuge, your home. You
out there feeling lost and forlorn,
come.” Youth moved to

the City when I was a teen, to
the Haight-Ashbury, and turned
San Francisco

into a sanctuary. We loved it, too,
we San Franciscans, native-born.
Come with me to
San Francisco?

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Haight-Ashbury District in San Francisco,
Cole and Haight Streets. (Photo Source
)

Today, Alan is also combining prompts, with the juxtaposition of professorial exigencies with what Gotera wants (who is that guy?).

Gotera Wants a Poem Every Day

Gotera wants a poem every day
in April, when I have enough to do,
and yet I try to write one anyway,

though April, in its headlong rush to May,
has reams of paperwork I must work through.
Gotera wants a poem every day

as if exhausting meetings leave some way
for one’s creative side to feel fed, too,
and yet I try to write. One, any way

he can, preserves a preference for play,
like Johnny Cash, when he sang “Boy Named Sue.”
Gotera wants a poem. “Everyday

I Write the Book”—Costello’s songs convey
the notion love’s an act of art. That’s true,
and yet I try. To write one any way

I can, a promise kept, a vow, let’s say
(although remaining rhymes are far too few)
Gotera wants a poem every day,
and yet, why try to write one, anyway?

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Very funny, Alan. Great alterations in the refrains, especially through syntactic manipulation. Thanks for visiting, everyone. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   



Wednesday, April 22, 2026

Day 22 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 96


Hey hey, friends! My poem today is #96 in this year's Stafford Challenge (and #461, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: Write a “poem in which the speaker is in dialogue with him or herself.”

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a natural poem.”


Another successful day combining the prompts. My "natural" element is Mother Nature herself.

Mother Nature Talks to Herself

            —tanka sequence

I was out swirling
my ocean water, whistling
a tune, enjoying
the lofting blue of my sky
when I saw the three red chutes

like pockmarks dangling
their Artemis II capsule.
Said “Damn!” to myself.
“Goddess Me, I thought for sure
humans were all leaving soon.”

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Artemis II landing (Photo Source)

Today, Alan is combining both prompts as well — with a speaker in conversation with one of their own body parts, and hence nature.

The Intermediate Phalange of My Left
Index Finger Tells Me to Take It Easy


I mean, it might be the intermediate phalange of my left index finger.
It might be the flexor digitorum profundus tendon
or the flexor digitorum superficialis tendon.
for all I know, it could be the proximal interphalangeal joint.
It just speaks up,
not like my right wrist when I’ve been at the keyboard for hours,
demanding to be kept still, not to be pressed against the edge of a desk,
not to have nerves twinging through it,
but murmuring a soft complaint,
“How can you go for days without playing guitar
and then think playing for two and a half hours straight
would be a good idea?”
“Do you really need to press the ‘F’ key that many times?
You’ve almost worn the letter off!
What the hell is going on? Are all your students failing?”
“Who all are you beckoning? Can’t you just bring yourself to say, ‘Come here?’”

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Thanks for visiting the blog. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   



Tuesday, April 21, 2026

Day 21 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 95


Greetings once more, friends! My poem today is #95 in this year's Stafford Challenge (and #460, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: Write a “poem in which you muse on your name and nicknames you’ve been given or, if you like, the name and nicknames for an animal, plant, or place.”

Robert Lee Brewer’s Poem-a-Day suggestion: “For the third Two-for-Tuesday prompt:  1) Write a high poem, and/or . . . 2) Write an low poem.”


I've been successful this month in consistently combining the prompts. Done again today, with all three prompts. Also, I'm writing today in the haibun form — a Japanese poetic form with a prose paragraph and a haiku together.

Nicknames High and Low

            —haibun

In fifth grade, my classmate Steven Pasquale called me “The Goat,” a pun on my family name, and that nickname stuck for a year, with other classmates also calling me that. Thank goodness it went away. Thirty or forty years later, there was a high point for that nickname when people started referring to the GOAT as an acronym for “greatest of all time,” applied often to Michael Jordan or Muhammad Ali. But there was no such high point when we were in fifth grade. Steven also made up another nickname: “Gotera Paper” (that is, “go tear a paper,” like in the bathroom). That was a low point that only stuck around for a day or two, again thank goodness. If I had been sharper, I could have struck back with a nickname for Steven like “Piss Quality.” I wonder where Steven is these days — never too late, even sixty years on.

                        Friends called me “The Goat”
                        when we were ten. They were right —
                        “greatest of all time”!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Mountain Goat (Photo Source)

Today, Alan is also combining both prompts — this poem is about the radio biz, especially stage names for radio personalities.

These Are the Pros and Cons of Broadcasting

In Tuscaloosa, two guys
in the dorm room right next door
“studied” media, the jock
who couldn’t walk on baseball
half-assing his sports writing,
not being telegenic,
and a radio DJ,
another aspiring Rush.
In those days, local stations
weren’t all syndicated yet,
and one learned cultivating
personality alone,
unless a car wash opened
or a B-side musician
headlined a Shriners potluck.
I won’t name these two—the sports
guy’s byline runs locally,
but barely; the DJ’s name
on air is still “Steve Shannon,”
a common DJ handle
in the Ronald Reagan years,
but this one once ridiculed
a local public figure,
already troubled, until
he threw himself—overpass,
oncoming traffic, morning
rush hour—Steve Shannon changed
his name and took graveyard shifts
at a small sister station
until notoriety
faded and he could resume
being Steve Shannon on air
at a charity bazaar
or some rural high school dance,
introducing the prom queens
whose names remain in gossip
scrawled on yearbook endpapers.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Okay, we're three weeks down. Thanks for coming by the blog. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   



Monday, April 20, 2026

Day 20 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 94


Hello, friends! My poem today is #94 in this year's Stafford Challenge (and #459, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: “For today, try writing your own poem that uses an animal that shows up in myths and legends as a metaphor for some aspect of a contemporary person’s life. Include one spoken phrase.”

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a ‘No ___’ poem.”


Once again, I am combining the prompts.

No More Dragons? No.

            —curtal sonnet

Today’s prompt for a mythic animal
probably made you think that I would write
a ditty on the almighty dragon.
After all, I wear dragon apparel
daily! I composed one hundred and eight
dragon poems last year! Shall we dragon?

Or is it, drag on? I read a poem
today with the metaphor “dragon’s breath”
for war. So folks still need to know dragons,
at least in Asia, are wise, kind, esteemed.
                                  “Dragon dragon dragon!”

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Source: https://en.wikipedia.org/wiki/Chinese_dragon

By the way, the "one spoken phrase" required by the NaPoWriMo prompt was fulfilled by the last line of this poem, "Dragon dragon dragon," and this happens to be a quotation of the last line of my poem "Sestina: Dragon," which appeared in my most recent book Dragons & Rayguns and originally appeared in the blog during April 2014. Just a fun little detail.


Today, Alan is combining both prompts as well, but with several animals.

No Innocence

I have taken many lives, but none on purpose.

1. Hundreds, maybe thousands of insects before the depletion of the biomass, especially as I frequented interstates and rural two-lanes, especially during an early-season road trip back from Jacksonville so that as I drove through South Carolina, the worse of the Carolinas, I encountered a plague-like cloud of love bugs whose remains splattered the hood, grill, bumper, and windshield of the state car I was driving to the degree I felt concerned I would lose access to the motor fleet for the rest of my career, and

2. Random birds, no more than ten, usually songbirds flying too low and colliding with me (again in cars) so that they caromed off the windshield, presumably dead from the impact, except the one undoubtedly dead and slightly integrated into the central grill of a 1972 Ford LTD, and then, a few years ago, a duck that just plopped down on the State of Franklin Road while Thomas Crofts, medievalist, was riding with me to get Mexican food, prompting him to say, “¡Chingada Madre!” a term we sometimes hear from language students in our department but never any Mexican folks we know, and

3. No turtles, because they are too easy to miss, and a good guy will hit a turtle only by accident, and I have been spared, and

4. No dogs, although I have been known on familiar streets to slow down so a particular dog can catch me, only to see how confused he gets afterward, but

5. Sad to say, about ten assorted other small mammals, absolutely never on purpose, always the ones that dart heedlessly into the street, prompting me to swerve in what I afterwards attempt to persuade myself has been a successful maneuver to miss them, even if I hear a thump under the floorboard, and I swear never again to look in the rearview mirror immediately afterward, I swear.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Amazing details again today, Alan. With regard to swerving (in this poem's section 5), remember William Stafford's warning and advice about roads and animals, “to swerve might make more dead,” from his poem “Traveling Through the Dark.” It's okay, maybe better, not to swerve. (Incidentally, friends, check out that Stafford poem . . . it's my favorite of all his poems.)


Thanks for coming by the blog today. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   






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