Sunday, April 26, 2026

Day 26 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 100


Hello, friends! My poem today is #100 in this year's Stafford Challenge (and #465, including last year's Stafford Challenge poem count). So that's 100 poems since January 17, William Stafford's birthday.

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, take the phrase 'Last (blank),' replace the blank with a new word or phrase, make the new phrase the title of your poem, and then, write your poem.”

Maureen Thorson’s NaPoWriMo prompt: “Today, we challenge you to write your own ars poetica, giving the reader some insight into what keeps you writing poetry, or what you think poetry should do.” The term "ars poetica" is Latin for "the art of poetry."

Combining prompts as usual. A little background: my term as Iowa Poet Laureate is ending on April 30. It has been a great run.

The Last Ars Poetica

            —curtal sonnet

At least my last as Poet Laureate
of Iowa. My main message has been
to champion light poetry. Often
poets can look down upon, denigrate
light poetry as weak, something to shun.
As if somehow, it’s not good to have fun

with poems. Poets are too serious
sometimes. Light poems can be genuine
and profound. For example, satire and
parody: play plus outrage, furious.
            Weight with sparkle . . . write on.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Turns out Alan and I both wrote a "last ars poetica." So he is also combining the prompts.

Last Ars Poetica of the
2025-2026 Academic Year


Because last fall semester saw
two colleagues urged to walk away
from their lives' work because each made
in public comments of offense,
because selective boundaries
between a private life and job,
regardless of its level, blue-
or white-, professional or day-,
an academic or a pope,
some words get targeted, yet words
intended never to deceive
remain reliable when thoughts,
emotions, gestures do not
always serve in public, far
too vulnerable, we are all
too vulnerable, so let me
delay exposure for a while
and take some private time
to offer explanations to
myself, as best as I can say
how I might understand the truth
that might be factual or truth
as I distill it from experience
outside the hard, invasive, cold,
unceasing blast of monetized,
manipulated messages
intended to entrap my time,
my hard-earned life, my hard-worn love,
this intimate, spontaneous,
authentic urge to share at last
a testament of loving truth.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Alan, great close . . . "a testament of loving truth." What more can we do?


Thanks for coming by the blog, everyone. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   



Saturday, April 25, 2026

Day 25 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 99


Hello, friends! My poem today is #99 in this year's Stafford Challenge (and #464, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: Write a “poem in which you use at least three metaphors for a single thing, include an exclamation, ruminate on the definition of a word, and come back in the closing line to the image or idea with which you opened the poem.”

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a remix poem. Pick a poem you wrote earlier this month and re-create it in a new way. Maybe you take a sonnet and turn it into free verse, or a haiku. Maybe your free verse can be turned into a triolet or villanelle. Or you can mash up multiple poems into a new creation. ”


Today I'm remixing yesterday's poem, the first half, subtitled "Spring Riddle." And following the NaPoWriMo prompt pretty much to the letter.

Midnight Riddle

            —curtal sonnet

A skin-winged blackbird that isn’t a bird.
A winter-long sleeper that’s not a bear
but lives in caves. Under starry night skies,
invisible singer that can’t be heard.
Three inches long, a foot wide. In your hair
she’d make you scream, “Help!” Mating ecstasies

in autumn, delayed fertilization
in spring. Delayed? What could that mean? In her
the sperm is stored, then she is fertilized
during first flight after hibernation.
            Little Brown Bat . . . wondrous!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Little Brown Bat (Photo Source)


Today, Alan is remixing “Not Bug but Function” from Day 9. And bringing in elements of the NaPoWriMo prompt.

Document

If I document my list,

            Not ally but deceiver,
            not enabler but manipulator,
            not dealmaker but conceder,
            not liberator but jailer,
            not savior but abuser,
            not leader but invader,
            not king but parasite,

I might call it my finest worksong
while I witness this world leader pretend
not to bring the end of the world as we know it.
“Welcome to the Occupation!”
I call with sadness to the one I love
as we gaze into the fireplace,
my list of concerns like exhuming McCarthy,
although I don’t believe we’ve brought him back
so much as disinterred his underground machinations,
and we have been too green to realize it.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Alan, great remix. What do you think about this revision and also mine above? Please comment below on that.


Thanks for coming by the blog, everyone. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   



Friday, April 24, 2026

Day 24 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 98


Greetings once more, friends! My poem today is #98 in this year's Stafford Challenge (and #463, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: “Today, we challenge you to write your own poem that takes place at night, and describes something magical or strange that happens but that no one is awake (or around) to notice.”

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write an unidentified poem.”


Let me do something different today and give you a photo first. To whet your appetite for later.

Photo Source

Okay, now on to the poems. I'm happy today to combine the two prompts in two poems — both prompts in both poems — which I'm grouping together as a single poem with two titled sections.

Strange Night Tankas

            “Spring Riddle”

Dark flying creature
swooping under stars, her long
winter sleep done, makes
a baby with sperm she saved
since fall . . . skin wings swoosh unseen.

            “Moon Gardens”

Moonflower vines bloom
white at night, beckoning bats,
Luna Moths, Sphinx Moths,
and other mysterious
creatures to scatter pollen.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Bat and flower (Photo Source)

If not for the "unidentified" prompt, however, I probably would have given the first tanka a straightforward title like "Little Brown Bat in Iowa Spring" and have it be a poem on its own. (A single tanka is usually not titled, though, so that's something to [re]consider.) The second tanka, separated out, would probably still be "Moon Gardens," but it could be expanded later into a multiple-tanka sequence. Actually, maybe both sections could become separate tanka sequences, in which case the presence of the title(s) would be defensible. We'll see. Oh! The info in the first tanka is all true with the Little Brown Bat . . . the delayed fertilization is pretty trippy.


Today, Alan has an interesting approach to the prompts with a poem in six-line stanzas (sestets) in tail rhyme or maybe rime couee, both rhymed aabccb — however all in pentameter, rather than the varied line lengths usually associated with those forms.

Mothman (Not an Elizabeth Bishop Allusion)

I was driving a van back from Athens, OH,
because that was the place that we had to go
for an Appalachian Studies conference at the school,
when a colleague and a good friend of mine
asked the students in the van if they would be fine
if we took a little side trip to see something cool.

I figured I knew what she had in mind,
because, I tell you, for the longest time,
she’d been just crazy about cryptids that bump in the night,
and she smiled just as sweet as a honey-drowned pissant
when she told us we’re going down to Point Pleasant
to the Mothman Statue, the area’s most pleasant sight.

The Mothman’s West Virginia’s best feature,
inspired by a ’60s account of a creature
that disrupted two couples parked outside the city line.
It was bigger than a man, superlinebacker size,
with great giant wings and red glowing eyes
like the flames from a mystical, radiant, sacred sign.

There’s a Mothman Museum and a statue, as well,
but the clouds had gone gray. It was colder’n hell,
and the two-lane beside the Ohio was narrow and long.
I was getting about as antsy as a pre-school teacher
when one of the students, a jackleg preacher
from a rescue mission decided to sing an old song.

It was a Charlie Daniels tune about being a hippie
in some backwoods town, maybe in Mississippi,
and I was relieved it wasn’t about the Georgia fiddler.
He was sharing the back bench seat with a woman
who kind of admired his air guitar strummin’
and his puppy dog look that meant he’d like to diddle her.

The action in the back was getting bolder and bolder,
and I began to feel a kind of burn on each shoulder
that jolted me so hard I clenched the steering wheel.
They were laughing and cooing and tickling and slapping,
and as I glimpsed in the rearview to see what was happening,
what I saw instead I could not believe to be real.

Now the other students were lost in their phones
and without a clue. It felt like my bones
would pull out of their joints as I grew to twice my size.
I was not feeling good, and I got in a hurry,
then saw how my hands had gone lengthy and furry,
and there in the mirror were red-glowing, saucer-sized eyes.

My colleague behind me caught us in the curve
and pulled up beside us as I made a swerve
to a paved parking lot of the First Baptist Fellowship Hall.
I put it in park and switched off the ignition
marveling I had retained my cognition,
wrenched open my door and stood outside, naked and tall

except for some shorts with near-popping elastic
(because all my proportions were downright fantastic),
and I felt a compulsion to fly, but I couldn’t say where,
and my colleague was weeping with joy as her camera
captured what otherwise would be ephemera
but became a staple of memes popping up everywhere.

There’s not much to tell about what happened next.
The mayor responded to somebody’s text
and had us escorted downtown, put us up for the night—
except me, under watch, when the first early ray
of the sun put me back to myself. To this day,
I’ve not been the Mothman again, and I feel all right.

No, that part’s a lie. There are times, early mornings,
when newscasts describe what smart folks see as warnings,
my shoulders start burning, and I take a flight near my home,
wake some dogs, roust some deer, hear the earliest cooing
of doves, feel the mist, realize what I’m doing
is clearing my mind for the challenging day yet to come.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

About this poem, Alan told me, "There is really a Mothman Statue in Point Pleasant." And there it is up above, red eyes and all. Go up and look at it again. Be sure to click on it to see it larger. And pinch it wider to see it even better. That's a great yarn, Alan! It is a yarn, right?

Photo Source

Incidentally, the Elizabeth Bishop allusion that this poem is not, is to her poem "The Man-Moth" (though that's worth looking at for another magical creature — or man?).


Thanks for visiting the blog, dear readers. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   



Thursday, April 23, 2026

Day 23 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 97


Hello again, friends! My poem today is #97 in this year's Stafford Challenge (and #462, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: “Try your hand today at your own take on a villanelle, and have the poem end on a question.” Here's a great page on the villanelle: https://poets.org/glossary/villanelle

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a juxtaposition poem.”


I'm happy today to present a villanelle on my hometown and its juxtaposition of variations, for example, bringing together native San Franciscans with other residents born elsewhere, including foreign countries.

City of Juxtapositions

            —villanelle

Come with me to
the place where I was born —
San Francisco.

Each night I was soothed to
sleep by distant foghorns
crooning, “Come with me to

Dreamland.” They called out to
people foreign-born,
“San Francisco

can be your refuge, your home. You
out there feeling lost and forlorn,
come.” Youth moved to

the City when I was a teen, to
the Haight-Ashbury, and turned
San Francisco

into a sanctuary. We loved it, too,
we San Franciscans, native-born.
Come with me to
San Francisco?

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Haight-Ashbury District in San Francisco,
Cole and Haight Streets. (Photo Source
)

Today, Alan is also combining prompts, with the juxtaposition of professorial exigencies with what Gotera wants (who is that guy?).

Gotera Wants a Poem Every Day

Gotera wants a poem every day
in April, when I have enough to do,
and yet I try to write one anyway,

though April, in its headlong rush to May,
has reams of paperwork I must work through.
Gotera wants a poem every day

as if exhausting meetings leave some way
for one’s creative side to feel fed, too,
and yet I try to write. One, any way

he can, preserves a preference for play,
like Johnny Cash, when he sang “Boy Named Sue.”
Gotera wants a poem. “Everyday

I Write the Book”—Costello’s songs convey
the notion love’s an act of art. That’s true,
and yet I try. To write one any way

I can, a promise kept, a vow, let’s say
(although remaining rhymes are far too few)
Gotera wants a poem every day,
and yet, why try to write one, anyway?

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Very funny, Alan. Great alterations in the refrains, especially through syntactic manipulation. Thanks for visiting, everyone. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   



Wednesday, April 22, 2026

Day 22 ... NaPoWriMo / Poem-a-Day 2026 / Stafford 96


Hey hey, friends! My poem today is #96 in this year's Stafford Challenge (and #461, including last year's Stafford Challenge poem count).

Maureen Thorson’s NaPoWriMo prompt: Write a “poem in which the speaker is in dialogue with him or herself.”

Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a natural poem.”


Another successful day combining the prompts. My "natural" element is Mother Nature herself.

Mother Nature Talks to Herself

            —tanka sequence

I was out swirling
my ocean water, whistling
a tune, enjoying
the lofting blue of my sky
when I saw the three red chutes

like pockmarks dangling
their Artemis II capsule.
Said “Damn!” to myself.
“Goddess Me, I thought for sure
humans were all leaving soon.”

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Artemis II landing (Photo Source)

Today, Alan is combining both prompts as well — with a speaker in conversation with one of their own body parts, and hence nature.

The Intermediate Phalange of My Left
Index Finger Tells Me to Take It Easy


I mean, it might be the intermediate phalange of my left index finger.
It might be the flexor digitorum profundus tendon
or the flexor digitorum superficialis tendon.
for all I know, it could be the proximal interphalangeal joint.
It just speaks up,
not like my right wrist when I’ve been at the keyboard for hours,
demanding to be kept still, not to be pressed against the edge of a desk,
not to have nerves twinging through it,
but murmuring a soft complaint,
“How can you go for days without playing guitar
and then think playing for two and a half hours straight
would be a good idea?”
“Do you really need to press the ‘F’ key that many times?
You’ve almost worn the letter off!
What the hell is going on? Are all your students failing?”
“Who all are you beckoning? Can’t you just bring yourself to say, ‘Come here?’”

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Thanks for visiting the blog. See you again tomorrow?


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   






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