Tuesday, April 30, 2013

Day 30 ... NaPoWriMo / Poem-a-Day 2013


Day 30. One of the hallmarks of my "teenagehood" was the slogan of the youth movement of the '60s: "Don't trust anyone over 30." This turned out to be a severe irony of youth because all those people eventually turned 30 (who'll you trust then, Mac) and surely most of them are now double 30. Mick Jagger, for example, will be turning 70 soon. Who'd a-thunk it? He's still doing live performances with the Rolling Stones but now keeps a tank of oxygen just offstage so he can keep up his energetic on-stage persona.

In today's last NaPoWriMo prompt, Maureen Thorson suggests, "Find a shortish poem that you like, and rewrite each line, replacing each word (or as many words as you can) with words that mean the opposite. . . . Your first draft of this kind of opposite poem will likely need a little polishing" (NaPoWriMo). Robert Lee Brewer's final Poem-a-Day Challenge assignment is the usual "Two-for-Tuesday prompt . . . a finished poem [or] a never finished poem" (Poetic Asides).

I have assigned Maureen's prompt to my poetry students in the past, so I know it works, but I just wasn't in the proper mood for this prompt today. Similarly, Robert's prompt is interesting, and his sample attempt at a poem responding to the prompt cleverly includes both themes of unfinished and never-to-be finished. But his prompt didn't click for me either, so I struck out on my own today.

Epiphany While Laying Out

                                        for Kathy

I can't recall now if I was invited,
or if I just happened to come upon you
catching some rays out front on your new lawn
at the little apartment you'd recently rented
for the summer. Soon I was next to you,
both in swimsuits, while you stifled a yawn.

You were holding a torch for our classmate Red.
I was so dazzled by your plum bikini and the sun.
"I’m gonna take a shower," you said. I asked to
join you and you smiled yes. I knew then you wanted
                much more than a tan.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

How do you like that? It's been at least 30 years, maybe more, since I've written one of these — a curtal sonnet á là Gerard Manley Hopkins (like his poem "Pied Beauty"). Though I imagine Father Gerard wouldn't much appreciate what I've done with the form he invented to praise the Lord. But love is love, right?

Okay, that's the end of National Poetry Month 2013. Hope you've enjoyed not just my 30 poems but also the others that have appeared all over the blogosphere. Congrats to all my fellow NaPoWriMo poets and Poem-a-Day Challengers. See you all here next April?

Won't you comment below, please? Look for a blue link below that says "Post a comment"; if you don't see that, look in the red line that says "Posted by" and click on the word "comments." Ingat, everyone.   ;-)



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Monday, April 29, 2013

Day 29 ... NaPoWriMo / Poem-a-Day 2013


Day 29. Couldn't find much of interest about the number 29, except to follow up what I said yesterday. 29 is the number of days in the month of February 25% of the time.   ;-)

Moving on to National Poetry Month concerns. Maureen Thorson's prompt today: write a poem that uses "at least five words in other languages" (NaPoWriMo). Robert Lee Brewer's prompt: "take a line from one of your poems (preferably one of your April poems), make it the title of poem today, and then, write the poem" (Poetic Asides).

I tried all day to make these two prompts work, together or apart. Searched my April poems for a suitable line or phrase to make into a title. No luck. The "other languages" notion in Maureen's prompt led me to a vaguely remembered scene in the university dorm where Kathy and I met, but no "five words in other languages" except for place names, at best. No way this poem is done, pretty much an early draft. An unrhymed haiku sonnet. Anyway, here you go.

Fate


First time I saw you,
Kath, was at an Eigenmann
tenth floor meet-up thing.

International
and grad students' dorm "blind date."
Kuwait, Tennessee,

Afghanistan, Rome —
name a place, we were from there.
I glimpsed your brown mane,

your freckles, green eyes
shyly turned when you saw me.
First time our eyes met . . .

turquoise and brown slid apart
then locked: destiny, kismet.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Pretty raw. I'd love to hear if you think this sonnet could be a keeper. Let me know in a comment, please? Look for a blue link below that says "Post a comment"; if you don't see that, look in the red line that says "Posted by" and click on the word "comments." Ingat, everyone.   ;-)



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Sunday, April 28, 2013

Day 28 ... NaPoWriMo / Poem-a-Day 2013


Day 28. Four weeks exactly. Two fortnights. 28 is the maximum number of days in February 75% of the time. But let's get back to April . . .

And so the gurus of April today. Robert Lee Brewer says, "write a shadorma. For those new to the shadorma, it’s a fun little 6-line poem that follows this syllable count: 3/5/3/3/7/5." Here's Maureen Thorson's prompt: "Today, I’d like you to pick a color. How many synonyms are there for your color (e.g., green, chartreuse, olive, veridian)? Is your color associated with a specific mood (e.g., red = passion, rage, blue = hope, truth)."

I've written six shadormas today, all on the color blue, specifically blue (or near blue) flowers. Hope you enjoy them!

Morning Glory
(Ipomoea purpurea)

Sky weeps tears,
blue at each new dawn.
Tight spirals
unfurl small
aquamarine nebulas,
bright indigo stars.


Canterbury Bellflowers
(Campanula medium)

Violet
Canterbury bells
peal blue songs
from tall stalks,
their campaniles of cobalt:
come, see, sniff, love, dream.


English Iris
(Iris latifolia)

Blue Iris
sticks her yellow-streaked
tongues way out,
plus la belle
clown of the flora circus,
ravishing trickster.
                                                                                       
Bitter Nightshade
(Solanum dulcamara)

Star-shaped blooms—
called blue bindweed too
—stay away!
Berries like
soft plump juicy tomatoes
are Snow White apples.


Meadow Sage
(Salvia pratensis)

Salvia's
Latin name suggests
"salvation"—
slim towers
of ultramarine reaching
high to blue heavens.


Sky Blue Asters
(Aster oolentangiensis)

Faces turned
skyward, asters seek
Sirius,
bright blue star,
one true ruler, messiah,
lone primeval root.

                            —Drafts by Vince Gotera    [Do not copy or quote . . . thanks.]


Man, those shadormas are tough. Kinda claustrophobic: those 3-syllable lines are so small. The 7-syllable penultimate line feels like a domed stadium! Anyway, that's the end of Day 28 for me. Two days to go. See you tomorrow?

Won't you comment, please? Look for a blue link below that says "Post a comment"; if you don't see that, look in the red line that says "Posted by" and click on the word "comments." Ingat, everyone.   ;-)


               
Morning Glory
wikimedia.org
             
English Iris
healthyhomegardening.com


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Saturday, April 27, 2013

Day 27 ... NaPoWriMo / Poem-a-Day 2013


Day 27. Love this number. 27 = 33 = 3 x 3 x 3. 3 3's multiplied together. 3 3's = magical.

27 is an interesting coincidental in rock 'n' roll: "Many talented and famous rock/blues musicians died at age 27. These include Robert Johnson, Brian Jones, Jimi Hendrix, Janis Joplin, Jim Morrison, Ron McKernan, Kurt Cobain, and Amy Winehouse. The musicians who died at this age are often referred to as the 27 Club" (Wikipedia).

I knew about Jimi Hendrix and Kurt Cobain being 27 at their deaths but didn't know about the others' 27-ness, especially Ron McKernan, "Pigpen" of the Grateful Dead, the person who first suggested putting together that band. Of the musicians in the 27 Club, Pigpen is the only one I've seen in person. As a kid growing up in San Francisco, I used to see Pigpen now and then in my neighborhood, i.e., the Haight-Ashbury district.

It just occurred to me that I lied, albeit inadvertently. I didn't know about Janis Joplin's 27-ness, though I might have at some point. What I was incorrect about was that Pigpen wasn't the only person I've laid eyes on. I used to see Janis on the streets of the Haight also, perhaps more often even because she was so see-able, so visually striking. And I used to see both of them frequently on stage, on flatbed trucks in Golden Gate Park or The Panhandle.

Okay, on to today's prompts. On the Poetic Asides stage, DJ Robert Lee Brewer says, "write a mechanical poem. Either you’re mechanically-inclined, or you’re like me and hit things to make them work after they break (which, by the way, rarely works)."

At the NaPoWriMo turntables, DJ Maureen Thorson says, "Think of a common proverb or phrase — something like 'All that glitters is not gold,' or 'If wishes were horses, beggars would ride.' Then plug the first three words of the phrase into a search engine. Skim through the first few pages of results, collecting (rather like a poetic magpie) words and phrases that interest you. Then use those words and phrases as the inspirations (and some of the source material) for a new poem."

The phrase I worked with was "take for granted" and I learned a lot from googling that: what (or whom) we take for granted, how we do it, why . . . as well as why and how we are taken for granted. Fascinating. So here's my prose poem á là Maureen, with a little dash of Robert in there, one mechanics-oriented section.

Taken for Granted


I am the rice you ate at lunch today and you didn't even notice.

I am the pork that was sweet and sour in your lunch. I was raised on a factory floor standing in the shit and the piss of my sisters and brothers that were shoulder to flank around me. I am the pesticides and antibiotics that kept me not sick but also not sane. I am the confinement building floor. You know this about the meat you eat but you put it out of your mind.

I am the sweet. I am sugar. I am corn syrup. You prefer to forget that I stood in regimented rows in tilled fields. I am the regiment. I am the tilled field you drove by on your way to lunch. You are unaware of the sweet oxygen my regiment pumps into the air for you to breathe. I am the oxygen. I am the air. You just pull me inside your body like a bellows and use me.

I am the sour. I am citric acid. I am created in giant factories, fermented from molds and treated with calcium hydroxide and sulfuric acid. I am the factory, the mold, the calcium, the sulfur. You do not understand the process that produces me. I am invisible. I am unknown. But you could see. You could know.

I am the water you drank at lunch. I am the ice in your glass. I am the ocean. I am the salt you sprinkled on your sweet and sour pork. I am the beach on the edge of the ocean that was melted into the glass that is the container you drank from. I am the sweat of the people who worked in the factory that made the glass. I am the rain and the snow that poured from the sky and became the liquid you take for granted. I am the particulate matter that was strained from the water to make it pure for you. You assume that the water, the glass, the process that made me—clear water, clear glass—will always be there for you.

I am the car that took you to your lunch today. I am the robots that repeatedly bent and stood and reached and welded and spun screws and performed manifold actions to create your vehicle. I am the sheets and masses of plastic and glass and steel and other metals that are stamped and molded and fastened together to create what you do not notice. You do not think of the woman in her thick leather apron and plastic safety visor who spends many of her daylight hours assembling the dashboard that will absorb the force of your body hitting it when your car is stopped suddenly in an accident. I am that woman. I am her leather apron. I am her safety visor. I am her children, two girls in grade school, for whom she assembles ten thousand dashboards so they can eat. You don’t think of these when you put your cell phone on the dash. I am the dashboard. I am the cell phone.

I am the grass you walked by between your car and the restaurant. I am the flowers and plants edging that grass. I am geranium. I am lavender. I am morning glory. I am marigold. I am the woman who mows the grass. I am the clippings of grass discarded and converting into nitrogen. I am the man who plants and tends the flowers. I am the lawnmower the woman guides. I am the trowel he wields. I am the knee pads they both wear so they can walk when they are not gardening. I am the garden. You notice the flowers or at least they are on the edge of your consciousness. The grass that bends under your feet is pliant. It does not scream under your weight. Or I should say I do not scream. You rule my existence.

I am the ground you stand on.

I am the bedrock that holds up the building that is the restaurant. I am granite.

I am earth. I can open a million maws, ten million sinkholes, and swallow.

I am earth. I can quake your proud buildings into piles of riprap.

I am earth. I can vomit forth as molten lava and raze your houses.

I am earth. I can shove a thousand tsunamis down your puny throat.

I am earth. I can with my great mass, with gravity, pull in my siblings the asteroids and comets to rain down upon you and your works.

I am earth. I can do all of this and more to destroy you. I sometimes do but only in small doses. I can change those doses into colossal, enormous lessons.

I am earth. I can devour you.

I am earth. I can waste, vaporize, exterminate you.

I am earth. Remember.

I am earth.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Okay, just three more NaPoWriMo/PAD days left after midnight. Thanks for hanging in there with me.

Won't you comment, please? Look for a blue link below that says "Post a comment"; if you don't see that, look in the red line that says "Posted by" and click on the word "comments." Ingat, everyone.   ;-)



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Friday, April 26, 2013

Day 26 ... NaPoWriMo / Poem-a-Day 2013


Day 26. Two baker's dozens. 26 is also half a deck of cards, meaning there are 26 red cards and 26 black cards. Finally, as I'm sure we all know, 26 is the "number of spacetime dimensions in bosonic string theory" (Wikipedia).

In today's prompts, Robert Lee Brewer suggests "a casting poem. Casting can take on several meanings, including casting a spell, casting a line (such as in fishing), casting the actors in a play, and I suppose even the act of creating a cast." (Poetic Asides).

Maureen Thorson proposes an erasure poem: making a found poem from someone else's text by "systematically eras[ing] whole words and even lines, while maintaining the relative position of the remaining words" (NaPoWriMo).

There's a website that helps a would-be "erasure poet" by providing texts to erase. You use your mouse to turn words in a text "on or off," that is, visible or erased. This website, "Erasures," is sponsored by Wave Books. Give it a try . . . lots of fun.

Interesting as both Maureen's and Robert's prompts are, I opted for another terzaiku sonnet, a love poem. Once again, haiku stanzas rhymed in terza rima, interlocking aba bcb cdc ded ee. The last stanza is a couplet, 7 syllables in each line. Here we go.

The Summer Before
We Broke Up, 1983


                                              for Kathy

"Lift up your chin, Kath.
Shoulders to the left a bit.
Perfect! One, two —" click.

You gasped. "You promised
you would shoot on three!" We laughed
then tenderly kissed.

Back home in SF,
the photo clerk said, "Just bad
chemicals. We’ll give

you free film." I had
only sun-glint on your face —
mind’s camera — that

lovely chin you shyly raised.
One two click. Soft precious kiss.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Okay, friends, four days left in National Poetry Month. Incredible how quickly it's gone by.

Won't you comment, please? Look for a blue link below that says "Post a comment"; if you don't see that, look in the red line that says "Posted by" and click on the word "comments." Ingat, everyone.   ;-)



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