Day 30. The last day of National Poetry Month in 2014, the last day of NaPoWriMo, the last poem of Today's "official" prompts Fare Well Kathy and I always look at the official prompts together first thing, and she was disappointed this morning upon seeing this last set. I knew she was thinking "no love poem today." Although a couple of my April poems alluded to our relationship sweetly, I hadn't written a proper love poem yet. So this poem is a surprise for my love; yes, I was able to write a love poem while also saying farewell and calling it a day. Hurray! In terms of this curtal sonnet's craft, its sonnetly charms, I replaced the usual d rhyme with an a, so the rhyme scheme is abcabc/abcac. Aren't those three repeated abc's cool? Beyond that, in fact, the last line contains (accidentally) an internal b rhyme within it — "al" Okay, now here's Alan's final To the ’70s Era Avocado Refrigerator Ah yes, fridges can be infuriating, right? But sometimes they can be cool for the oddest of reasons. In the early '60s, we had a Fridgidaire that made a soft whirry, bubbly noise that sounded exactly like the Blob. You should google a clip from that movie to "hear" my childhood In terms of sonnetly charms, Alan's is an interesting example of a Petrarchan sonnet: in the closing sestet's rhyme scheme of addaee Alan begins with a third envelope quatrain — so cool! — and then ends with a Shakespearean-ish couplet. Fun. The poem is fun in its content (if you don't think too much about the water damage) and in its bravura technique. Bravo, Alan! Won't you comment, please, friends? To make a comment, look for a blue link below that says Post a comment and click it once. If you don't see that, look in the red line that starts Posted by Vince, then find the word comments and click it once. Ingat, everyone. ヅ |
Wednesday, April 30, 2014
Day 30 ... NaPoWriMo / Poem-a-Day 2014
Tuesday, April 29, 2014
Day 29 ... NaPoWriMo / Poem-a-Day 2014
Day 29. Two days to go. Or, at the time I'm writing this, one day and one hour to go in National Poetry Month! Robert Lee Brewer has a two-for-Tuesday prompt in honor of Gabriel García Márquez: "Write a realism poem" and/or "Write a magical poem Maureen Thorson's "prompt is called the 'Twenty Little Poetry Projects,' and was originally developed by Jim Simmerman.
Okay, here we go. Not trying to channel Gabriel García Márquez at all. Just trying to channel both real and surreal (which I hope evinces some magic) while trying to do the Simmerman projects in order. Thus mixing all three prompts. Carnac the Magnificent & Dancing Cactus I don't know how Johnny Carson came to be in the poem but when I was driving to Chicago last week (a five-hour trip) I heard a talk show about TV comedy and heard the Carnac the Magnificent "sis boom bah" bit. (That's when I actually heard this "piece of talk" recently.) I bet not many people know anymore that "sis boom bah" was connected in the late 1800s to fireworks watching and then later in the mid-1900s to cheerleading. Now on to Alan's poem for Day 29. "I think that I have managed to merge Maureen and Robert's prompts for today. I am not certain what to make of this attempt, though." Thomas Crofts and I Consider Haruspication Well, Alan, that was fun. Though I gotta say, I have no idea what to make of any of either of our poems. I certainly am not sure how to even come close to illustrating your poem with an image! Won't you comment, please, friends? To make a comment, look for a blue link below that says Post a comment and click it once. If you don't see that, look in the red line that starts Posted by Vince, then find the word comments and click it once. Ingat, everyone. ヅ |
Monday, April 28, 2014
Day 28 ... NaPoWriMo / Poem-a-Day 2014
Day 28. We're 14/15 done with National Poetry Month. Crazy, huh? "Official" prompts today. Robert Lee Brewer: "a settled poem" (Poetic Asides). Maureen Thorson: "Today I challenge you to find a news article, and to write a poem using (mostly, if not only) words from the article! You can repeat them, splice them, and rearrange them however you like" (NaPoWriMo). I decided to create an erasure poem to satisfy Maureen's prompt, and it took up an inordinate chunk of the day. I found a "news" article and used only the words in it. So basically a found poem. The article is "Jennifer Aniston's Brief Romance Revealed!" by Jackie Willis, from the website Yahoo! TV. I've retyped the article below and circled the words I'm keeping. You should follow the red lines to get the sequence of the narrative. If you need to see the erasure poem larger, just click on the image. I was able, just barely, to mix in Robert's prompt as well, basically in the last sentence. It was very difficult to accomplish. Hot Teenage Romance Settled I do want to make sure to point out, just so there's no misunderstanding, that the cool phrase "To we immaturions" is not mine. It was coined by Jim Nelson, editor of the magazine GQ. Of course, since it's a found poem, and more specifically an erasure poem, I didn't coin any of the language. And now on to Alan's poem: "I got out early this morning," Alan tells us, "and looked around; I mowed grass all day Saturday, and the yard got a good drenching last night from one of the thunderstorms moving through the region this week. Being outside so early in the morning reminded me of being ready to go outside as soon as possible when I was smaller. I cannot recall seeing a mimosa here in my part of East Tennessee, but the further south I drive, the more I see them." Mimosa Ah yes, I remember getting leaves like those to fold up when I was a child. I like in your poem how the speaker's finger, the body, really, is likened to light. Bravo, Alan. Nice blank verse sonnet, by definition unrhymed. Won't you comment, please, friends? To make a comment, look for a blue link below that says Post a comment and click it once. If you don't see that, look in the red line that starts Posted by Vince, then find the word comments and click it once. Ingat, everyone. ヅ |
Sunday, April 27, 2014
Day 27 ... NaPoWriMo / Poem-a-Day 2014
Day 27. Four poems to go, counting today's. Robert Lee Brewer's prompt today: "a monster poem" (Poetic Asides). Maureen Thorson suggests a "poem from a photograph," providing four photos one could use, though one could also use a photo of one's own (NaPoWriMo). Here's the photo I've chosen.
This poem was a joy to write because I had no idea where it was going to go and where it was going to end up. Just three lines from what is now the ending, I told Kathy I had no idea how to get out of the poem. And I'm still not sure how this ending came to me. I just had to empty myself of ideas and walk downhill, if you will. I also enjoyed this process because I started off with rough blank verse and didn't know these were rhymed couplets — okay, slant rhyme — until I hit line 14 or so. And then I saw that indeed there were slant rhymes already there, though some were exceedingly distant, like beetles/tickled or munched/bones, which to some are probably not rhymes at all. From that point, I began to rhyme more consciously, as in be/see and else/fools. And really, it was trying to work the rhyme that got me to the end. Or that revealed, however mysteriously or impossibly, what might make an ending. The zombie material came up because a few weeks ago, my friend Gary Beeler, who was my classmate in a beginning poetry writing class when we were first-year college students, challenged me to write a zombie poem. I tried to twist this poem in that direction, but it wouldn't go. So And now on to Alan's poem. He tells us, "I am following Maureen Thorson's prompt inviting an ekphrastic poem for today. This poem does not describe anyone in particular; I see what, in my opinion, should not happen in promotional shots for writers, and I post this poem with the usual disclaimer (not intended to represent anyone you or I know in the entire span of human history) and with the hope that should I be put in the line of lens for having published something, I will remember this criticism. To be clear: I am not talking about the celebratory selfie/snapshot of when a person just gets hands on something newly released or has a friendly encounter with a reader somewhere. I am talking only about professionally produced promotional photos." To the Poet Who Poses for Promotional Photos I know exactly what you mean, Alan. There's such hubris sometimes in those promotional photos. I tried to find something to illustrate without portraying an actual writer. The closest I could get is this image. This guy's pipe (Hemingway-ing, anyone?) and his bowtie and suspenders matching his typewriter's blue color are all over the top. And really, who uses a typewriter anymore? Actually, one of my most prolific writer friends still uses legal pads and a typewriter, and he's published something like fifty books, so I take back that snark about typewriters. But the rest of what's pictured is clearly faux writer schtuff. Almost as bad as Hef's satin smoking jackets and pajamas. Ya know? (Hef smoked a pipe too.) Won't you comment, please, friends? To make a comment, look for a blue link below that says Post a comment and click it once. If you don't see that, look in the red line that starts Posted by Vince, then find the word comments and click it once. Ingat, everyone. ヅ |
Saturday, April 26, 2014
Day 26 ... NaPoWriMo / Poem-a-Day 2014
Day 26. Gettin' near the end, friends. Well, I shouldn't dwell on the ending but rather on the great 25 days we've had so far. Cause for celebration, don't you think? "For today’s prompt, write a water poem," suggests Robert Lee Brewer (Poetic Asides). Maureen Thorson's prompt today is one I suggested to her: the curtal sonnet, invented by Gerard Manley Hopkins. I wrote one on Day 20 for the "family member" point-of-view prompt (NaPoWriMo). Basically, the curtal sonnet is 3/4 of a Petrarchan sonnet. If you figure out 3/4 of 14, you'll get I hope you won't think it vain that I'm posting directly below what the NaPoWriMo blog looks like today. If you click on the image, you'll see my name in the fourth paragraph. I'm such a fan boy, huh? I am nonetheless both honored and humbled. Thank you, Maureen! Okay, on to today's poem, merging the two "official" prompts: a curtal sonnet on water, then. Water And now to Alan's poem. Alan says, "I attempted to follow both of the prompts today, and I was glad about the curtal sonnet assignment, and I though the water part would be easy. But, strangely enough, thinking about water made me think about chores for this weekend, and I was considering how wet grass requires more attention to mow. "But the real problem, Vince, is Hopkins's 'Pied Beauty' for an example, because I was wanting to follow that model carefully, rhyme scheme and all. But look at that thing! It looks as if it is abc/abc/dbc/dc, because it's 'things/cow/swim//wings/plow/trim//strange/how/dim/change/him.' But, being from the Deep South myself, I was tempted to claim that 'strange' and 'change' almost rhyme with 'things' and 'wings,' claiming a slant rhyme or some such, but I figured that folks from other parts of the country would consider my claim specious or my rhyming lazy, so I decided to treat the a and d rhymes as if they rhyme with each other exactly. "There are times when my Southern accent works to my advantage, given that 'guitar' can be either iambic or trochaic, depending on the need, but I want to play fair." First Mowing after Easter What a great poem, Alan. Such a fine ending when the poem goes to family memory. Beautiful. In your poem, "clumps" and "lawn" (a and c) do rhyme distantly or, depending on one's dialect, more closely. I think it's perfectly defensible to claim what you claimed earlier about a rhyme between "strange" and "things" — not to mention the Deep South pronunciation, there is also the eye rhyme of "ng," don't you think? Quite a Hopkins-ish claim, actually. Remember how in "The Windhover" Hopkins used "-ing" for his a sound and "-iding" for b? That's pretty outrageous, bodacious even. So why not "strange" and "things" as emulation? Works for me, Alan. Also, making a the same as d is not a violation of the curtal sonnet scheme. It's merely a tighter interpretation of the pattern. Again, works for me. Hopkins in "Windhover" has an a and b that could be seen as both a. Fun. Won't you comment, please, friends? To make a comment, look for a blue link below that says Post a comment and click it once. If you don't see that, look in the red line that starts Posted by Vince, then find the word comments and click it once. Ingat, everyone. ヅ |
Friday, April 25, 2014
Day 25 ... NaPoWriMo / Poem-a-Day 2014
Day 25. Now we're 5/6 of the way through National Poetry Month. It's been a nice run, don't you think? I'm enjoying writing a poem a day, even though it's been tough going a couple-three times. Hang in there, everyone! "For today’s prompt, write a 'last straw' poem," Robert Lee Brewer suggests. "Everyone encounters situations in which they decide they’re not going to take it anymore Maureen Thorson begins today: "Anaphora is a literary term for the practice of repeating certain words or phrases at the beginning of multiple clauses or, in the case of a poem, multiple lines." You might recall that in his famous speech, Martin Luther King Jr. begins several sentences with "I have a dream" and also "Let freedom ring" — memorable and powerful. Anyway, Maureen continues, "I challenge you to write a poem that uses anaphora. Find a phrase, and stick with it — learn how far it can go" (NaPoWriMo). A wonderful recent example of anaphora is in my favorite song by The Police: "Every breath you take / Every move you make / Every bond you break / Every step you take / I'll be watching you." Love that because it's so cleverly creepy. And nicely apropos today because it also seems to be a "last straw" situation. Okay, here we go. Mashing up both prompts. Spring I love light verse — don't you? Here's an image of spring that Kathy found for me. To her this is extraordinarily beautiful. To me, well, I shudder. I like a flower as much as the next guy, but when they gang up like this, all I can think of is the allergic attack they bring on. I'd rather have the dentist drill. Shudder. Brrr. Sorry, Kathy. But thanks so much for finding such a perfect photo. Okay, on to Alan. Or, to my dear Holmes, as Dr. Watson used to say. ヅ I've wanted to make that joke all month! Dr. Holmes tells us, "I think that I have covered both the 'last straw' and the anaphora prompts. Given that it is April, some of my 'last straw' feelings have to do with students who have neglected themselves all semester and who, nonetheless, believe that somehow they can wrangle a satisfactory grade out of weeks of neglect. Perhaps one of the first requirements for passing an English class should be the ability to read and comprehend the course policy statement. Now, back to grading Exodus 20 Amen to that, Professor/Doctor Holmes. I think you should actually use this in your future syllabi. Just to make sure there are no misunderstandings, since it is, as the text says, "plain as day." This is light and heavy verse. Just the right light touch and heavy-handedness of tone.
I must confess that, as a student, I had bent and even broken some — perhaps more than some — of these commandments. But I have since seen the error of my ways, and as a professor/doctor myself only bend and break them when no witnesses are Won't you comment, please, friends? To make a comment, look for a blue link below that says Post a comment and click it once. If you don't see that, look in the red line that starts Posted by Vince, then find the word comments and click it once. Ingat, everyone. ヅ |
Thursday, April 24, 2014
Day 24 ... NaPoWriMo / Poem-a-Day 2014
We begin the last full week of National Poetry Month with Day 24. Yesterday's poem was so hard, really, and I'm glad for something a little easier today. Maureen Thorson suggests a poem about masonry: "a poem that features walls, bricks, stones, arches, or the like. If that sounds a bit hard, remember that one of Robert Frost’s most famous poems was about a wall" (NaPoWriMo). Robert Lee Brewer's prompt is: "take the phrase 'Tell It to the (blank),' replace the blank with a word or phrase, make the new phrase the title of your poem, and then, write the poem"(Poetic Asides). On the University of Northern Iowa campus, we — the Languages and Literatures department — moved recently from our long-standing home, Baker Hall. I had my office in that building for almost twenty years. After we left Baker Hall, the university demolished it; in its place will be a "green space," whatever that means. I'm hoping for a little lake. Here are some pictures of the Baker Hall demolition, courtesy of UNI's Rod Library. Merging Maureen's and Robert's prompts again today. After the Baker walls were through a tumblin', I got a chunk of masonry from the rubble. Baker had brick walls with an interesting texture, and you can see that on the chunk I picked up, pictured below. Tell It to the Brick And now moving to Alan's Day 24 poem, here's his set-up: "I am attempting to follow both Robert's and Maureen's prompts today." I'm glad both Alan and I are mashing up the two "official" prompts. Tell It to the Block Wall Buckling East Alan, you've written a powerful testament to humans' hubris against powerful natural forces. We think we can best nature, but instead we end up more like Percy Bysshe Shelley's King Ozymandias, whose huge statue lies tumbled and broken in the Egyptian waste: "Two vast and trunkless legs of stone / Stand in the desert. Near them, on the sand, / Half sunk, a shattered visage lies," nothing but "that colossal wreck, boundless and bare." Bravura work, my friend. Won't you comment, please, friends? To make a comment, look for a blue link below that says Post a comment and click it once. If you don't see that, look in the red line that starts Posted by Vince, then find the word comments and click it once. Ingat, everyone. ヅ |
Wednesday, April 23, 2014
Day 23 ... NaPoWriMo / Poem-a-Day 2014
Here are today's "official" prompts. Robert Lee Brewer suggests "a location poem," which might be "physical [or] emotional, psychological, metaphysical, or some other kind of word that ends in -al" (Poetic Asides). Maureen Thorson challenges us today to write "an oldie-but-a-goodie: the homophonic translation. Find a poem in a language you don’t know, and translate it into English based on the look of the words and their sounds" (NaPoWriMo). This is also called a translitic poem. The phrase "Day 23" reminds me of The Number 23, a 2007 movie starring Jim Carrey. This psychological thriller portrayed Carrey's character becoming more and more obsessed with the number 23, believing that his life and all events around him are connected to 23 or some permutation of 23, and developing extreme paranoia. I'm writing this after struggling mightily for hours with Maureen Thorson's prompt (described below), and I'm feeling a bit like the hapless hero of that movie. Ack. I wrote that last paragraph several hours ago, and it's now 5:37 P.M. after an afternoon of dealing with proofs and meetings and poetry selection at the North American Review. I feel a little better because somehow the translitic started to flow, and here it is. My translitic plays with Rainer Maria Rilke's great poem, "The Panther," given in German to the right. I'll also quote a proper English translation of the poem at the end of this blog post. I think I might have satisfied Robert's suggested "other" locations (emotional, psychological, metaphysical): the poem that arose out of the homophonic translation seems to hint at that metaphysical location where business takes place heartlessly, and the title suggests there is pain there, wherever that is. I feel okay about it how turned and I think I can claim to have mashed up prompts today. And now to Alan, who says, "Heartsore today, folks, I haven't looked at prompts." Applied Mathematics Alan, this poem really speaks to me. When I went to the Jesuit high school in San Francisco, my 9th-grade Algebra teacher, Fr. Jacobs, sounds a great deal like this Benedictine calculus teacher of yours. He was a tough old bird, and the grumpiest priest who ever lived, Fr. Jacobs, but we could all tell he cared about us. I also connect with your feeling here that life was simpler in those days when math would provide a clear answer with an elegant route to get there. But life, or living life, is probably more art than science, and as in writing poems or painting illustrations we don't always know where we're headed, and no one tells us when or if we're correct, but there's nonetheless beauty and reward in it. Won't you comment, please, friends? To make a comment, look for a blue link below that says Post a comment and click it once. If you don't see that, look in the red line that starts Posted by Vince, then find the word comments and click it once. Ingat, everyone. ヅ P.S. Here's the Rilke poem in English.
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