Sunday, April 6, 2025

Day 6 ... NaPoWriMo / Poem-a-Day 2025 // Stafford 80


Maureen Thorson’s NaPoWriMo prompt: “Today’s prompt (optional, as always) veers slightly away from our ekphrastic theme. To get started, pick a number between 1 and 10. Got your number? Okay! Now scroll down until you come to a chart. Find the row with your number. Then, write a poem describing the taste of the item in Column A, using the words that appear in that row in Column B and C. For bonus points, give your poem the title of the word that appears in Column A for your row, but don’t use that word in the poem itself.” Obviously, you'll have to go to the website to see the chart.

Robert Lee Brewer’s Poem-a-Day prompt: “[W]rite a reaction poem. Your poem can include the action that prompts the reaction, or it can start in medias res at the actual reaction. There are all manner of scientific reactions out there, as well as human reactions to local or world events.”


Merged the two prompts again . . . in a tanka, once more.

Watermelon

glared at me, mocking
the butcher knife in my hand.
A strange reaction
from something I’m gonna splash . . .
since soon we’re gonna be one.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Many thanks to my partner Renee for a suggestion that helped me get this last line and get out of the poem!

As you may have noticed, I have been striving to write small poems both in the April poems so far as well as in the Stafford Challenge. Well, Alan went whole hog the other way, with a behemoth 71 lines! And merged the two prompts to boot.

Banana

When I was an adjunct faculty member
of the University of Tennessee English Department
during the early 1990s, for a couple of years
I was assigned a cubicle
in the approximate center of campus
on the top floor of McClung Tower.
From those twelfth-floor windows, we could see the administration building.
The internet hadn’t gotten a proper hold just yet—
when it did, one of the first things we learned to do
was to look up answers to Disney trivia questions
in a McDonald’s promotion
so we could get free food. It was usually fries
and sometimes a sandwich, if we were lucky.
Nobody talked in detail
about adjunct instructor pay even then
except among ourselves, and listening
to carefully revealed secrets, and learning
not to listen in a large room full of cubicles
seemed sometimes like courtesy
and sometimes like denial.

When I had lived in Tuscaloosa just years before,
graduate students had potluck parties
in part so we could be sure our friends were eating.
For years, I received $626 a month
on a nine-month contract
as a graduate teaching assistant, about half
a dollar more than minimum wage. My wife earned
minimum wage for years until she graduated
and got a slightly better job with a drug store chain
that does not exist anymore. The graduate director
of my department, after one of many attempts
to get the university to raise the English GTA pay,
once told me of a dismissed attempt with the line,
“Too bad, so sad, your dad,” which was the punchline
of a joke that started by a college student’s sending a postcard home
that read, “No mon, no fun.—Your son.” He put a rasp
in his voice when he said it, like a tired old guy. He knew
I knew that joke. I thought the world of him
until that moment. Some of us were mailing checks
to meet payment deadlines knowing that our accounts
were empty, due for deposits only a couple of days away.
It was before new electronic/internet banking systems
had come into play. Doing that now would bounce a check.
I had grown up when bouncing a check would be unpardonable.

I have bounced only one check in my life,
buying an engraved name plate
for someone who dropped out of school
to enter business. I thought my gesture of confidence
would mask my quiet disagreement with his plans.
It was the 1980s. Some people misunderstood
the “greed is good” line from a movie.

In the common mailroom of the UT English Department,
a graduate student told another she was dating
someone mostly because he always took her out to eat.

Years later, at my current institution,
in the department’s common mailroom
I overheard a student worker say the same thing.

The graduate students think I’m joking
when I suggest they should take a sealable plastic bag
with them when they attend events.
I imagine a couple of them
have figured out an extra cup, kept dry,
can hold a palmful of cheese cubes,
maybe with some mixed nuts on top.
Nobody tries to peek into a cup
you hold by its top rim by your side.
Often, my colleagues and I bring to work
cakes, cookies, crackers, and fruit, and we always
overorder food for events so we have extra
to bring back to our common room.
Some days, it lasts less than an hour.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]



Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Saturday, April 5, 2025

Day 5 ... NaPoWriMo / Poem-a-Day 2025 // Stafford 79


Robert Lee Brewer’s Poem-a-Day prompt: “[T]ake the phrase 'After (blank),' replace the blank with a word or phrase, make the new phrase the title of your poem, and then, write your poem. Possible titles might include: 'After Hours,' 'After a Good Movie,' 'After a Quick One,' 'After the Encore,' and/or 'After a While.'”

Maureen Thorson’s NaPoWriMo “prompt is inspired by musical notation, and particularly those little italicized – and often Italian – instructions you’ll find over the staves in sheet music, like con allegro or andante.” The directions continue with three columns of words and phrases where one must follow detailed activities that you'll have to go there to follow (complicated!)

Well, let me at least describe the proposed process: Maureen has given three columns. In the first, there are made up musical instructions, like “with a hint of frenzy” or “crazy eyes here.” The second column has musical styles, like "yacht rock" or "muzak." The third column has words like, "butterflies" or "centaur." Now pick one word from each column and "write a poem that takes inspiration from your musical genre and notation, and uses the word or words you picked from the third column."

Okay, here's my tanka . . . the musical instruction I chose from the columns is "obliterte the choir," and I'll confess I am not conversant in death metal. Anyway, both prompts mixed.

After Cannibal Corpse

To play death metal
cancellare il coro,
and vampires will rise,
the choir's undead twitching, fast,
melodic, and guttural.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Alan also merged both prompts in a lovely haiku.

After “Lord, Have Mercy”

One hymn sung graveside
and a handwrought monument,
lift hope for Heaven.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Designed by Freepik

Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Friday, April 4, 2025

Day 4 ... NaPoWriMo / Poem-a-Day 2025 // Stafford 78


Robert Lee Brewer’s Poem-a-Day prompt: “write an unexpected mess poem. Like maybe somebody spills their milk or forgets to put away the groceries. Or maybe the dog leaves a present. Or perhaps the cat is in a gift-giving mood as well. Or maybe the mess is a little more situational (like falling behind on paying the bills or getting caught up in a love triangle.”

Maureen Thorson’s NaPoWriMo prompt: “It’s the rare human structure – be it a bedroom, kitchen, dentist’s office, or classroom – that doesn’t have art on its walls, even if it’s only the photos on a calendar. Today, we’d like to challenge you to write your own poem about living with a piece of art.”


Today, I'm mixing the prompts in a doidotsu — a Japanese poetic form with four lines of 7, 7, 7, and 5 syllables, respectively. Here's a write-up on the doidotsu: https://www.writersdigest.com/write-better-poetry/dodoitsu-poetic-forms.

Abstract Expressionism
—a doidotsu
At my home, mail and clutter
are an unexpected mess,
Jackson Pollock art piece . . . just
gotta live with it!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

In case someone doesn't know abstract expressionist Jackson Pollock's artwork, here's an example.


Jackson Pollock, "Convergence" (1952)

Here's Alan's poem today. His title reflects both prompts.

Unexpected Art

I am driving a van north,
up to Washington, DC,
out of Appalachia
with four of my classmates, all
of them women, all of them
young enough to be my kids,
to make a presentation
about community health
in a depressed area
of Johnson City. They picked
me to drive them. They made
a playlist on Spotify
so I could hear the music
they wanted to share with me.
We’re all graduate students.
They are smart and creative,
funny without weariness,
open with emotional
intelligence. I love them
just like favorite cousins.
They put Steely Dan, Bob Wills,
and Dolly in for me, but
suddenly a hard two-beat,
rebounding and metallic,
prompts them all to rap along,
“Whatchu know ‘bout me?” I laugh.
There is joy here—the shy one
is rapping along, the gal
from Texas, the newlywed,
the former teacher who came
from north Alabama, too,
self-empowering lyrics
about a middle schooler
needing lip gloss confidence.
I can hear the border twang,
the sweet voice usually
much softer, the nasal drawl
of the one from the holler,
the accent from ‘way back home,
“‘Cause my lip gloss is poppin’.”
Nothing messes me up more
than when someone goes to sleep
while I am driving or when
they sing along to a song
that gave them what they needed.
I guess they all decided
somebody else could use it.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Thursday, April 3, 2025

Day 3 ... NaPoWriMo / Poem-a-Day 2025 // Stafford 77


Maureen Thorson’s NaPoWriMo prompt: “[W]rite a poem that obliquely explains why you are a poet and not some other kind of artist – or, if you think of yourself as more of a musician or painter (or school bus driver or scuba diver or expert on medieval Maltese banking) – explain why you are that and not something else!”

Robert Lee Brewer’s Poem-a-Day prompt: “[W]rite a short poem. In my mind, I'm thinking of a poem that's like 10 lines or fewer, but there are other ways . . . The poem could be about a short person or object.”


I didn't merge the prompts today. Just not in the right mood for the Thorson prompt today (maybe later?). So just doing the Brewer prompt for a short poem.

As part of this weekend's Poetry Palooza festival in Des Moines, I'm leading a workshop this afternoon for some seventh graders in Humboldt, Iowa, and I'm going to have us write about food. So I thought I'd warm up (sorta) with this short ditty, two shadormas — a Spanish poetic form in 3/5/3/3/7/5 syllables. Ended up being 12 lines. Oh well. Short-ish enough.

I Scream, You Scream

Vanilla,
chocolate, or else
strawberry . . .
those three were
our only choices as kids
in the '60s. Yum.

Now we have
blueberry sorbet,
toffee crunch,
bubble gum,
Cherry Garcia, and best —
dulce de leche!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Photo by mandarinMD on Pixabay

I think I'll show this poem to the students this afternoon. I suppose they'll be surprised at the lack of ice cream flavors!


About his poem today, Alan wrote me, “I just recently moved out of a cubicle, because my department has returned to its renovated building. It is perverse for me to offer a 'tricube,' following Brewer’s challenge for a short poem, as I take Thorson’s cue to write about what kind of artist I am not. Folks can figure out the difference between Appalachian and Southern writers when they think about it.” The tricube is three stanzas of three lines with three syllables. Wow!

Why I Am Not a Southern Poet

When Darnell
Arnoult said,
“Come and write,”

she gave me
permission
and some space

to love deep
in hollers
and mountains.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Alan also wrote: “Darnell Arnoult is one of the most generous, loving writers in Appalachia, and there are more than a few folks like that. We love her back. You can find some poems from her latest volume, Incantations, here: https://www.darnellarnoult.net/excerpt-incantations-poems.”


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Wednesday, April 2, 2025

Day 2 ... NaPoWriMo / Poem-a-Day 2025 // Stafford Challenge 76


Today is Day Two in April and also Day 76 in the Stafford Challenge. Here are today's prompts:

Robert Lee Brewer’s Poem-a-Day prompt: “[W]rite a "from where I'm sitting" poem. . . . From where you're sitting (or standing) at this moment, find something, someone, etc., that interests you and write a poem.”

Maureen Thorson’s NaPoWriMo prompt: “[W]rite a poem that directly addresses someone, and that includes a made-up word, an odd/unusual simile, a statement of 'fact,' and something that seems out of place in time (like a Sonny & Cher song in a poem about a Greek myth).”

I have been writing quite a few ekphrastic poems of late, particularly of Grant Wood's images. In March, I was the featured Guest Poet in the Stafford Challenge, where I read some poems and then presented several of my Grant Wood ekphrastic poems. Today, I'm merging the two prompts again with another ekphrastic poem on Grant Wood — a tanka again like the one on his Woman with Plants a couple days ago. Doing the "requirements" of the Poem-a-Day prompt and then the NaPoWriMo prompt in order (and staying within the tanka's syllabics!). I really enjoyed writing this one.

After Self-Portrait
by Grant Wood (1941)


From where I’m sitting,
I see you, Grant Wood, golden,
floateriffical,
flesh balloon by farm windmill . . .
no, an alien spaceship!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

By the way, I cheated a little: rather an "odd/unusual simile" I used a metaphor, odd and unusual enough, I hope.

"Self-Portrait" by Grant Wood (1941)
https://www.wikiart.org/en/grant-wood

Alan also did both prompts. He wrote me, "Directly address someone? Yes. Made-up word? Yes (try looking up the title). Odd/unusual simile? Yes. 'Fact'? Yes. Out-of-place something? Yes (see the simile). “From where I’m sitting”? Yes." Also, Alan has written an acrostic — where the first letters of the lines spell out something.

Vermicastigational

Really, you want chickens sick?
From where I sit, I doubt you
Know the consequences. Stunned
Rural communities need
Funds to prevent illness—you
Know that. Herd immunity
Rarely works in theory,
Forget real life. Again, you
Know that. Is this suicide
Revengeful, like a worm dead
From eating rotten brain cells?
Kennedy or not, listen,
Junior, you’re killing people.
RFK would disown you.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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