Showing posts with label decasyllabics. Show all posts
Showing posts with label decasyllabics. Show all posts

Sunday, April 9, 2023

Day Nine ... NaPoWriMo / Poem-a-Day 2023


Maureen Thorson’s NaPoWriMo prompt: “We’re calling today Sonnet Sunday, as we’re challenging you to write in what is probably the most robust poetic form in English. . . . Today, we’d like to challenge you to write your own sonnet.”

Robert Lee Brewer’s Poem-a-Day prompt: Write “a number poem. You can include a number in the title of the poem, or drop a number somewhere in the middle or end of the poem. Count sheep, poem by numbers, or share 10 ways to write a poem.”

Today, I'm merging both prompts again. Since I've written curtal sonnets many of the days so far, I thought I'd up the ante today by writing a double curtal sonnet: two curtal sonnets linked together in one poem. I'm using decasyllabics — 10 syllables per line — which can look strange when there are digits. Keep in mind that the decasyllabics are determined by speaking the lines aloud. For example, the third line below "8,493 years" looks very short but there are 10 syllables in it: "eight / thou- / sand / four / hun- / dred / nine- / ty / three / years."

Why Numbers?

There are 93 million miles between
Earth and the Sun. It would take a person
8,493 years
to walk it. An ant would take 21
million years to walk that far. We humans
can walk over 2000 times faster
than an ant. But ants can carry 50
times their body weight. Could any human
lift something just 10 times their weight? Never.
Nature’s laws won’t allow it. Gravity
                                        can’t be sidestepped, ever.

You’d need 1.3 million Earths to fill
the Sun. Using today’s population,
that would be 10 quadrillion 400
trillion people. How many ants then? Well,
a huge number. Some 20 quadrillion
ants on our Earth alone! If you wondered
that actual ant count, it’s 2 times 10
to the 22nd. So now someone
might just ask: Who cares? Our days are numbered.
With math, we’re free. The world’s within our ken.
                                        We’re unencumbered.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Here's what Alan said about today's poem: "I think I have fulfilled the obligations of both prompts. I have been thinking about the difference between law, justice, and mercy, the difference between power and the responsibility to wield it, and the notion not only of sacrificing children but the varying ideas of what merits such a sacrifice."

Three

This holiday I’m tasked to think of three
long days of death before the Christ arose
from loving sacrifice of life for those
who’d turn from sin and follow Him. To me,
that promise seemed uncomplicated. He
accepted what his Father wanted, chose
the agony, and even in the throes
of death asked God show mankind clemency.
In Nashville, not so long ago, a school
lost three young kids, three adults, too, but rule
of law let lethal weapons easily
pass through civilian hands; another cruel
procedure let the State of Tennessee
expel two of the three who would oppose.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Alan, I'm so impressed at how you use these writing opportunities to address such important issues of social justice. Bravo!

Everyone, just a quick observation about Alan's unorthodox technique in this Petrarchan sonnet. In the opening eight lines, he used an "-ose" rhyme (the b rhyme) which he brought back at the end (where "-ee" was the expected rhyme sound) in order to emphasize the word "oppose." The "-ee" rhyme in the last line is made internal, in the word "three" in the middle, which just so happens to be the theme of the poem. Brilliantly done!


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Saturday, April 8, 2023

Day Eight ... NaPoWriMo / Poem-a-Day 2023


Robert Lee Brewer’s Poem-a-Day suggestion: “For today's prompt, write a homograph poem. Homographs are words that are spelled the same but have different meanings. Sometimes they are pronounced the same, but that's not always the case. Click here to find a list of homographs, though there are many more homographs than these to use.”

Maureen Thorson’s NaPoWriMo prompt today is based on Jim Simmerman's Twenty Little Poetry Projects exercise. This is the 20th year of NaPoWriMo and Maureen is recycling some of the more popular prompts from previous years. This one is an oldie but goodie! The exercise posits twenty mini-prompts all to be used in one poem, for example, "Begin the poem with a metaphor" or "Use a piece of false cause-and-effect logic" or "Modify a noun with an unlikely adjective." Maureen says about the exercise: "It really pushes you to use specific details, and to work on 'conducting' the poem as it grows, instead of trying to force the poem to be one thing or another in particular."

I wrote a poem using the Simmerman exercise on 5 April 2020 when it was the NaPoWriMo prompt of that day. That poem The Front Door was quite successful and eventually was published later that same month in the Silver Birch Press website. This time, I'm just not feeling inspired by the Simmerman exercise as well as the homograph idea, so I'm "going rogue," as Alan says, no working from prompts today. I might try the Simmerman later on.

Easter Fantasy

My dad taught me to read when I was two,
and by age four I had read the entire
Bible, Genesis to Revelation.
I didn’t understand most of it but
I was enchanted by the fantasy vibe.
Probably I didn’t yet know that word
but I knew that a lot of the Bible,
beyond the begats, was out-and-out weird.
I really relished Revelation, called
Apocalypse in my parent’s Bible.
There were those angels with multiple wings
— how did that even work? And whirling wheels
floating in air next to the cherubim;
five years later, I would connect those wheels
with flying saucers. Probably my love
for science fiction arose from this book.
The Four Horsemen were my introduction
to sword-and-sorcery. Ghostly warriors!
Another tale full of strange happenings
was Jesus’ crucifixion. It was weird
enough to have a guy nailed to a cross,
but also darkness at noon, an earthquake?
Then the curtain in the Temple tearing
in half by itself? I knew even then
what the Holy of Holies was, recalled
the Ark of the Covenant, and so on.
Then three days later an angel rolling
a boulder off the guy’s grave — now empty?
Whoa. A whole lot to take in at age four.
I don’t know how this eventually
linked up to faith (probably arising
from education by nuns) but at four
I was definitely hooked. On weird tales,
at least. And so here we are, friends: Easter!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Well, that's blank verse — decasyllabics, actually — probably long enough to be a Simmerman 20. In fact, it's possible I may have invoked a couple or three of the Simmerman 20 poetry projects, but if I did, it was purely by accident.


Here is Alan's poem for today; he tells me, "I devoted a lot of attention to both prompts." The poem addresses the momentous, disturbing news coming out of his state, Tennessee, in the last day or two.

Sheer Thursday, Tennessee 2023

Self-proclaimed children of God berated youths on a golden path.
A home economics degree can take you anywhere, even to the United States Senate, but,
            specifically, within three blocks of my work, hatefulness refracting light like a
            new blacktop oozing petroleum by-products, my boss its company.
In these blessed hills crossed with abandoned railroad beds, old-growth forests, and
            converted rayon plants and flour mills,
Maybe not accompanied by my boss, but definitely directed by my boss—
I saw the photographic evidence.
While, four hours away, in cluster-fouled-up legislative chambers, the Undead
            Confederacy of GOP Supermajority,
Holding themselves righteous preservers of Holy Week’s virtues
Voted to expel two young Black men from their august body,
Sparing by only one vote an older white woman accompanying the two in their call for
            gun restrictions
In the wake of a mass shooting only days before, its victims including three children and
            a close friend of the governor’s wife,
His devotion to gun rights unshaken, because he remains true to his core principles,
That it is better to wash children’s feet in a religious ceremony than to restrict access to
            weapons of war among unregulated death cult members fomented by powerful
            political PACs.
He washed children’s feet as an act of Christian selflessness.
He behaves as if he loves.
Old Alabama has seen this act before. He saw it in the sixties, when the grownups took
            him to join the crowd drawn to the Little Judge on his campaign stop. He saw it
            when the self-proclaimed “not a crook” got off scot-free. He saw it when the
            demented actor aligned with the adulterous salamander and the compromised
            televangelist. He saw it from the oil-men-in-chief. He saw it from the self-
            proclaimed genius innkeeper, all those grand old guys.
The godly patriots who scream at our youths and protect the weapons that kill our
            children expelled two young men who said they recognized them.
Tetelestai.
He towels the child’s foot dry without looking at the confused face above him.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

https://mobile.twitter.com/WMCActionNews5/status/1644133285197479936

Alan definitely worked with both prompts. For example, the word "boss" here is a homograph, used with a different meaning each time. The poem opens with the first Simmerman poetry project, to begin with a metaphor. Another Simmerman dictum asks for something from another language, and Alan gives us "tetelestai," Greek for "it is finished." The poem ends, as required by the Simmerman exercise, with a visual image that connects to an earlier image sans statement: in this case, the foot-washing. Beautiful work, Alan.


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Saturday, April 16, 2022

Day 16 ... NaPoWriMo / Poem-a-Day 2022


Maureen Thorson’s NaPoWriMo prompt: “Today, I’d like to challenge you to write a curtal sonnet. This is a variation on the classic 14-line sonnet. The curtal sonnet form was developed by Gerard Manley Hopkins, and he used it for what is probably his most famous poem, “Pied Beauty.” A curtal sonnet has eleven lines, instead of the usual fourteen, and the last line is shorter than the ten that precede it. Here are two other examples of Hopkins’ curtal sonnets: “Ash Boughs,” and “Peace.””

Robert Lee Brewer’s Poem-a-Day challenge: “For today's prompt, write a touch poem.”

Today, I offer you a meta-poem: a curtal sonnet that explains how to write a curtal sonnet in the form of a curtal sonnet, using ten-syllable lines (decasyllabics) and slant rhyme. The poem satisfies both prompts (the Brewer one just barely).

The Curtal Sonnet

Three-quarters of a Petrarchan sonnet.
Rather than eight lines at the top, there are
six. Then, instead of six lines at the end,
there are four and a half lines. Check the math.
The opening sestet’s rhyme patterns are
abc abc . . . then the closing

quatrain-plus brings in a new rhyme sound—d
trailed by bc or cb, then d. For
the ultimate touch, c ends the half line.
Invented by Father Gerard Manley
                                    Hopkins. Amen.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Gerard Manley Hopkins (Wikipedia)

Incidentally, this will be my 5th curtal sonnet this NaPoWriMo. The others are on days 3, 10, and 15 (two curtal sonnets on the 15th). The curtal sonnet is one of my favorite forms to write; it may be my go-to. In the eleven years I have done NaPoWriMo consistently, I have written around 25 curtal sonnets.


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Monday, April 22, 2019

Day 22 ... NaPoWriMo / Poem-a-Day 2019


Maureen Thorson’s NaPoWriMo prompt: “Today, I’d like to challenge you to write a poem that engages with another art form — it might be about a friend of yours who paints or sculpts, your high school struggles with learning to play the French horn, or a wonderful painting, film, or piece of music you’ve experienced — anything is in bounds here, so long as it uses the poem to express something about another form of art.”

Robert Lee Brewer’s Poem-a-Day prompt: “For today’s prompt, write a correspondence poem. Maybe write a poem that would fit on a postcard or in a letter. Or write a poem about correspondence school. Or jump into newer forms of correspondence like e-mail or text messaging. Of course, not all correspondence is connected to communicating; sometimes one thing corresponds to another by being similar.”

Mashing up the prompts today in alternating quatrains, with ten-syllable lines, decasyllabic. I’m kind of proud of the two-syllable rhyme of “Manzarek, and” with “rhythm section” in the third stanza. Enjoy!

Letter to Bob Boynton, Music Prodigy

Dear Bob: I find myself hearkening back
sometimes to those old days when you and I
were playing in garage bands, way way back
in high school. You were the drummer and I

was the guitarist. Remember that time
when we tape recorded a practice song?
It was The Doors’ “Light My Fire.” A damn fine
recording, that was. Rickrock channeling

Morrison, John doing Manzarek, and
me wielding Krieger’s solo note for note,
with you and Steve, best damn rhythm section.
But, you know, Bob, we never really did

justice to your skills, not only were you
an excellent drummer, you also played
the flute and, I think, the saxophone too.
Guitar, bass — you were a quintuple threat!

Whatever happened to that demo tape,
do you know? We were really kicking ass
that day. But you, old friend, you were excep-
tional: rolling fills and cymbal crashes,

keeping time with your strong foot on the kick,
crisp attack on high hat and snare, a prince
on the drum throne. Each time we played, you shook
the stage like a damn earthquake. Thank you. —Vince

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


Here’s a grainy photo of Bob and me on stage in 1968. This was in the band Peace of Mind, performing in the Golden Gate Park bandshell in San Francisco. The band in the poem was The Doomsday Refreshment Committee.


Friends, won’t you comment, please? Love to know what you’re thinking. To comment, look for a red line below that starts Posted by, then click once on the word comments in that line. If you don’t find the word “comments” in that line, then look for a blue link below that says Post a comment and click it once. Thanks!

Ingat, everyone.   


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