Saturday, April 5, 2025

Day 5 ... NaPoWriMo / Poem-a-Day 2025 // Stafford 79


Robert Lee Brewer’s Poem-a-Day prompt: “[T]ake the phrase 'After (blank),' replace the blank with a word or phrase, make the new phrase the title of your poem, and then, write your poem. Possible titles might include: 'After Hours,' 'After a Good Movie,' 'After a Quick One,' 'After the Encore,' and/or 'After a While.'”

Maureen Thorson’s NaPoWriMo “prompt is inspired by musical notation, and particularly those little italicized – and often Italian – instructions you’ll find over the staves in sheet music, like con allegro or andante.” The directions continue with three columns of words and phrases where one must follow detailed activities that you'll have to go there to follow (complicated!)

Well, let me at least describe the proposed process: Maureen has given three columns. In the first, there are made up musical instructions, like “with a hint of frenzy” or “crazy eyes here.” The second column has musical styles, like "yacht rock" or "muzak." The third column has words like, "butterflies" or "centaur." Now pick one word from each column and "write a poem that takes inspiration from your musical genre and notation, and uses the word or words you picked from the third column."

Okay, here's my tanka . . . the musical instruction I chose from the columns is "obliterte the choir," and I'll confess I am not conversant in death metal. Anyway, both prompts mixed.

After Cannibal Corpse

To play death metal
cancellare il coro,
and vampires will rise,
the choir's undead twitching, fast,
melodic, and guttural.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Alan also merged both prompts in a lovely haiku.

After “Lord, Have Mercy”

One hymn sung graveside
and a handwrought monument,
lift hope for Heaven.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Designed by Freepik

Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Friday, April 4, 2025

Day 4 ... NaPoWriMo / Poem-a-Day 2025 // Stafford 78


Robert Lee Brewer’s Poem-a-Day prompt: “write an unexpected mess poem. Like maybe somebody spills their milk or forgets to put away the groceries. Or maybe the dog leaves a present. Or perhaps the cat is in a gift-giving mood as well. Or maybe the mess is a little more situational (like falling behind on paying the bills or getting caught up in a love triangle.”

Maureen Thorson’s NaPoWriMo prompt: “It’s the rare human structure – be it a bedroom, kitchen, dentist’s office, or classroom – that doesn’t have art on its walls, even if it’s only the photos on a calendar. Today, we’d like to challenge you to write your own poem about living with a piece of art.”


Today, I'm mixing the prompts in a doidotsu — a Japanese poetic form with four lines of 7, 7, 7, and 5 syllables, respectively. Here's a write-up on the doidotsu: https://www.writersdigest.com/write-better-poetry/dodoitsu-poetic-forms.

Abstract Expressionism
—a doidotsu
At my home, mail and clutter
are an unexpected mess,
Jackson Pollock art piece . . . just
gotta live with it!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

In case someone doesn't know abstract expressionist Jackson Pollock's artwork, here's an example.


Jackson Pollock, "Convergence" (1952)

Here's Alan's poem today. His title reflects both prompts.

Unexpected Art

I am driving a van north,
up to Washington, DC,
out of Appalachia
with four of my classmates, all
of them women, all of them
young enough to be my kids,
to make a presentation
about community health
in a depressed area
of Johnson City. They picked
me to drive them. They made
a playlist on Spotify
so I could hear the music
they wanted to share with me.
We’re all graduate students.
They are smart and creative,
funny without weariness,
open with emotional
intelligence. I love them
just like favorite cousins.
They put Steely Dan, Bob Wills,
and Dolly in for me, but
suddenly a hard two-beat,
rebounding and metallic,
prompts them all to rap along,
“Whatchu know ‘bout me?” I laugh.
There is joy here—the shy one
is rapping along, the gal
from Texas, the newlywed,
the former teacher who came
from north Alabama, too,
self-empowering lyrics
about a middle schooler
needing lip gloss confidence.
I can hear the border twang,
the sweet voice usually
much softer, the nasal drawl
of the one from the holler,
the accent from ‘way back home,
“‘Cause my lip gloss is poppin’.”
Nothing messes me up more
than when someone goes to sleep
while I am driving or when
they sing along to a song
that gave them what they needed.
I guess they all decided
somebody else could use it.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Thursday, April 3, 2025

Day 3 ... NaPoWriMo / Poem-a-Day 2025 // Stafford 77


Maureen Thorson’s NaPoWriMo prompt: “[W]rite a poem that obliquely explains why you are a poet and not some other kind of artist – or, if you think of yourself as more of a musician or painter (or school bus driver or scuba diver or expert on medieval Maltese banking) – explain why you are that and not something else!”

Robert Lee Brewer’s Poem-a-Day prompt: “[W]rite a short poem. In my mind, I'm thinking of a poem that's like 10 lines or fewer, but there are other ways . . . The poem could be about a short person or object.”


I didn't merge the prompts today. Just not in the right mood for the Thorson prompt today (maybe later?). So just doing the Brewer prompt for a short poem.

As part of this weekend's Poetry Palooza festival in Des Moines, I'm leading a workshop this afternoon for some seventh graders in Humboldt, Iowa, and I'm going to have us write about food. So I thought I'd warm up (sorta) with this short ditty, two shadormas — a Spanish poetic form in 3/5/3/3/7/5 syllables. Ended up being 12 lines. Oh well. Short-ish enough.

I Scream, You Scream

Vanilla,
chocolate, or else
strawberry . . .
those three were
our only choices as kids
in the '60s. Yum.

Now we have
blueberry sorbet,
toffee crunch,
bubble gum,
Cherry Garcia, and best —
dulce de leche!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Photo by mandarinMD on Pixabay

I think I'll show this poem to the students this afternoon. I suppose they'll be surprised at the lack of ice cream flavors!


About his poem today, Alan wrote me, “I just recently moved out of a cubicle, because my department has returned to its renovated building. It is perverse for me to offer a 'tricube,' following Brewer’s challenge for a short poem, as I take Thorson’s cue to write about what kind of artist I am not. Folks can figure out the difference between Appalachian and Southern writers when they think about it.” The tricube is three stanzas of three lines with three syllables. Wow!

Why I Am Not a Southern Poet

When Darnell
Arnoult said,
“Come and write,”

she gave me
permission
and some space

to love deep
in hollers
and mountains.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Alan also wrote: “Darnell Arnoult is one of the most generous, loving writers in Appalachia, and there are more than a few folks like that. We love her back. You can find some poems from her latest volume, Incantations, here: https://www.darnellarnoult.net/excerpt-incantations-poems.”


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Wednesday, April 2, 2025

Day 2 ... NaPoWriMo / Poem-a-Day 2025 // Stafford Challenge 76


Today is Day Two in April and also Day 76 in the Stafford Challenge. Here are today's prompts:

Robert Lee Brewer’s Poem-a-Day prompt: “[W]rite a "from where I'm sitting" poem. . . . From where you're sitting (or standing) at this moment, find something, someone, etc., that interests you and write a poem.”

Maureen Thorson’s NaPoWriMo prompt: “[W]rite a poem that directly addresses someone, and that includes a made-up word, an odd/unusual simile, a statement of 'fact,' and something that seems out of place in time (like a Sonny & Cher song in a poem about a Greek myth).”

I have been writing quite a few ekphrastic poems of late, particularly of Grant Wood's images. In March, I was the featured Guest Poet in the Stafford Challenge, where I read some poems and then presented several of my Grant Wood ekphrastic poems. Today, I'm merging the two prompts again with another ekphrastic poem on Grant Wood — a tanka again like the one on his Woman with Plants a couple days ago. Doing the "requirements" of the Poem-a-Day prompt and then the NaPoWriMo prompt in order (and staying within the tanka's syllabics!). I really enjoyed writing this one.

After Self-Portrait
by Grant Wood (1941)


From where I’m sitting,
I see you, Grant Wood, golden,
floateriffical,
flesh balloon by farm windmill . . .
no, an alien spaceship!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

By the way, I cheated a little: rather an "odd/unusual simile" I used a metaphor, odd and unusual enough, I hope.

"Self-Portrait" by Grant Wood (1941)
https://www.wikiart.org/en/grant-wood

Alan also did both prompts. He wrote me, "Directly address someone? Yes. Made-up word? Yes (try looking up the title). Odd/unusual simile? Yes. 'Fact'? Yes. Out-of-place something? Yes (see the simile). “From where I’m sitting”? Yes." Also, Alan has written an acrostic — where the first letters of the lines spell out something.

Vermicastigational

Really, you want chickens sick?
From where I sit, I doubt you
Know the consequences. Stunned
Rural communities need
Funds to prevent illness—you
Know that. Herd immunity
Rarely works in theory,
Forget real life. Again, you
Know that. Is this suicide
Revengeful, like a worm dead
From eating rotten brain cells?
Kennedy or not, listen,
Junior, you’re killing people.
RFK would disown you.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   


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Tuesday, April 1, 2025

National Poetry Month • Day One, NaPoWriMo / Poem-a-Day 2025 • Stafford Challenge 75


Well, friends, we're back! Going to be working NaPoWriMo and Poem-a-Day (typically merging their poetry prompts into one poem), plus continuing with the Stafford Challenge, all in that one poem. Also, Thomas Alan Holmes will be joining us again this season. Hurray!

Maureen Thorson’s NaPoWriMo prompt: “As with pretty much any discipline, music and art have their own vocabulary. Today, we challenge you to take inspiration from this glossary of musical terms, or this glossary of art terminology, and write a poem that uses a new-to-you word. For (imaginary) extra credit, work in a phrase from, or a reference to, the Florentine Codex” (an encyclopedia of 16th-century indigenous Mexico).

Robert Lee Brewer’s Poem-a-Day suggestion: “For the first Two-for-Tuesday prompt: 1) Write a "Best of Times" poem, and/or . . . 2) Write a "Worst of Times" poem. . . . Write a poem about the 'best of times,' 'the worst of times,' and/or 'the everythingest of times.'”


Alan's poem today is a Petrarchan sonnet, with an unusual closing sestet that brings back the a and b rhymes. He said, "I call my variation of the Petrarchan sonnet the Uvalde sonnet, because the expected terminal couplet occurs prematurely." Alan merges all three prompts: both the best of times/worst of times ones along with the musical terminology one, using the word waltz.

First the Right Foot, Then the Right Foot, Then the Left Foot

It is the worst of times, three-four, the waltz
that trips misstepping, like a misspent text,
a signal sent corrupted. What comes next
is slipping, old denial, placing faults
on those who speak only the truth. Trump halts
analysis, in his denials vexed
by probing questions, even more perplexed
that these, his best of times, when as he salts
the wounds of those descrying villainy
and also those caught in his calumny,
ransacker of our nation’s courts and vaults,
should be series of days of infamy,
diminishment through stumbles, slides, and halts
dismissed, denied through obvious pretext.

—Draft by Thomas Alan Holmes    [Do not copy or quote . . . thanks.]

You may have noticed that the word "waltz" in the first line is, by coincidence (or perhaps not), the National Security Advisor's surname.

I was also successful today in melding all three prompts: like Alan, both the best of times/worst of times prompts as well as the musical terminology prompt — the first term was somewhat familiar but the second term was completely new to me.

Bass No Pain

When I’m on stage playing my bass
it’s the best of times, my sciatica pain
in diminuendo. It’s the worst of times
when I’m not playing bass. Sometimes
I can barely walk. Basso profondo . . .
bass as musical medicine, a miracle.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


Friends, won’t you comment, please? Love to know what you’re thinking. Thanks!

Ingat, everyone.   

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