Thursday, February 20, 2025

The Stafford Challenge, Day 35


Today, again an ekphrastic poem, based not on an art image but rather a song from 50+ years ago. A performance video of the song is below . . . maybe watch it before reading the poem?

An ovillejo again. A Spanish form: 3 couplets and a quatrain, aa bb cc cddc, with the short lines at the ends of the couplets concatenated in the last line, syllabic pattern of 8/3/8/3/8/3/8/8/8/X (where X is the total of the repeated lines ... typically 9 syllables but could be more because the 3-syllable lines are allowed to to be 4). More on the ovillejo form here.

Half Century of Fiery Funk:
Bumpty-Bumpty-Bump

An ovillejo inspired by
"Down to the Nightclub"
by Tower of Power (1972)
Tower of Power, some funk, please —
East Bay grease!

Women be righteously pretty,
Bump City!

You got to, whatever your size,
funkifize!

“You’re Still a Young Man” and “What Is
Hip” . . . the guys on the stage up there
living the dream, for 50 years:
East Bay grease, Bump City, funkifize!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Tower of Power, "Down to the Nightclub" (1972)

Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Wednesday, February 19, 2025

The Stafford Challenge, Day 34


Today, another ekphrastic poem . . . not of Grant Wood this time but rather of one of my own digital art pieces, Mona Lisa SG. This is a soundplay tanka (5/7/5/7/7), with a bit of rhyme in the last two lines, both internal and external.

Madrigal in M and G
After Mona Lisa SG
by Vince Gotera (2017)
Mona Lisa’s new
Gibson guitar: gold SG,
glimmering sunset,
magic hour, enigmatic
smile, G minor glam music.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Vince Gotera, Mona Lisa SG (2017)

Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Tuesday, February 18, 2025

The Stafford Challenge, Day 33


Today, I offer an elegy for my old friend, the poet Nick Carbó, who passed away in October 2024. Nick was a Filipino American poet who was proficient in English, Spanish, and Filipino. I included all three languages in my poem; I also chose the ovillejo form because it is Spanish. The poem pays tribute to Nick's quirky sense of humor.

Here's an explanation of the ovillejo form in the blog Write Better Poetry by Robert Lee Brewer. Basically, it's 3 couplets and a quatrain, rhymed aa bb cc dccd, with the last line combining lines 2, 4, and 6 (the short lines earlier). There's a challenging syllable count: 8/3/8/3/8/3/888X — X being the sum of the repeated 3 lines) — also, lines 2, 4, and 6 can have 4 syllables instead of 3. Whew!

Toast to Nick Carbó: An Ovillejo


Ang tunay na lalaki . . . yo,
Nick Carbó!

Nos haces felices. ¡Salud!
You rock, dude.

In our hearts, your best endeavors
live forever.

Your sharp poems and prose will never
die, Secret Asian Man. You’re home.
Excuse this loko-loko poem.
Nick Carbó, you rock! Dude, live forever!

• “Ang tunay na lalaki” . . . The real man (Filipino) . . . also the main
    character of Nick Carbo's poetry book
Secret Asian Man (2000).
• “Nos haces felices. ¡Salud!” . . . You make us happy. Cheers! (Spanish)
• ”loko-loko” . . . silly (Filipino), cf. “loco” . . . nutty, crazy (Spanish)


—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


The photo above is from Nick Carbó's author page on facebook. I'm grateful to RJ Clarken for writing an ovillejo in The Stafford Challenge facebook group a few days ago, my introduction to this intricate poetic form.


Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Monday, February 17, 2025

The Stafford Challenge, Day 32


Today, another ekphrastic poem on Grant Wood's painting Spring in the Country (1941, his final year), a companion piece to his Spring in Town that I wrote on about three weeks ago here. My usual curtal sonnet, in full rhyme this time except for the last word, with ten-syllable lines.

Childhood Memory
After Spring in the Country
by Grant Wood (1941)
Fluffy white clouds are ranged in rank and file,
like the puffy plants the boy — Grant himself —
is sowing, life regimented by spring

arriving as the earth itself turns. While
the mother digs holes in the soil, herself
a sturdy twin to the white tree standing

behind, the father is steering a team
of horses, hard going to this high shelf.
Grant’s boyish world: stolid mom, commanding
dad, lush dark Iowa soil, headstrong dreams
                                            of spring, always young.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Grant Wood, Spring in the Country (1941)

Click here to read my previous poem on Spring in Town, the companion piece to this painting. Might be fun to compare the two paintings and the two poems.


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Ingat, everyone.  
 

Sunday, February 16, 2025

The Stafford Challenge, Day 31


Today, a shadorma about one of life's frequent little frustrations. The shadorma is a Spanish form using six lines with the following syllable counts: 3/5/3/3/7/5.

Bleepin’ Smoke Detectors!
— a shadorma
Beep beep . . . argh!
Batteries needed.
Double A?
Triple A?
Nine-volt? Quick run to the store.
All fixed. Beep beep . . . argh!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


I hope your day is going better than mine! A nice light poem does help to brighten the day.


Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Saturday, February 15, 2025

The Stafford Challenge, Day 30


Another ekphrastic poem today . . . again of a Grant Wood painting: Arnold Comes of Age, a 1930 portrait he did of Arnold Pyle, his student and later studio assistant.

Art historians surmise that Wood was gay and that this painting shows this. He was evidently romantically attracted to Arnold, who was straight and didn't return Wood's attentions. There are some clues in the painting (shown below). There are two young men skinnydipping in the lower right of the scene, and a butterfly is landing on Arnold's right sleeve (Wood studied painting in Paris and at the time he was there, "papillon," the French word for "butterfly," was the slang then for a gay man). Arnold's belt is emblazoned with the initials "AP" and Wood's artist signature is right next to it. There are other clues as well.

My poem is Arnold Pyle's response to all of this . . . it's a curtal sonnet with strict 10-syllable lines, and the language is more discursive and talky than imagistic.


Arnold Pyle Speaks
After Arnold Comes of Age
by Grant Wood, 1930
I’m still grateful that my boss Grant Wood — yes,
he’s only my boss — gave me this birthday
present by painting a portrait of me.
Learned a lot from Grant: applying gesso,
say. Not as easy as you’d think . . . it may
need twelve very thin coats. Or painting wee

tidbits in a piece, like the butterfly
in my portrait. That’s French slang, people say,
for “queer.” But a Monarch did land on me.
Or those nude swimmers. Again, just some boys
                                            we saw. Not guilty!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

I'm grateful to Ignacio Ardaude, an art historian specializing in gayness in art, for this topic. As you may recall from earlier Grant Wood poems, I mentioned that I was giving a presentation at a Grant Wood Country Forum zoom a few days ago, and Mr. Audarde was also a presenter, focusing on gayness in Grant Wood's art and life. I did some research and found that other researchers have also analyzed this painting in this light.

I'm particularly happy with my A rhyme above, again an enjambed rhyme: yes/he's and gesso. And also the ending C rhyme of me and guilty, not for structural reasons but rather for a topical one . . . Arnold may have been worried about homosexuality being a crime during that time period.


Grant Wood, Arnold Comes of Age (1930)

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Ingat, everyone.  
 

Friday, February 14, 2025

The Stafford Challenge, Day 29


In my last book Dragons & Rayguns, I had a series of 8 funny scifaiku for Valentine's Day called "Curious Candy Hearts." (Well, Dad jokes, really.)

Today, just for fun, I wrote 3 more.

Edward Scissorhands
snip snipping red heart doilies . . .
ouch! some blood mixed in.

Frederick FRONKensteen
and Eye-gor holding hands . . . ugh
says Frau Blücher. (Neeiiiigh!)

Flash Gordon and Flash
(Barry Allen) . . . Valentines
in the — sorry! — flesh.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

If you click on the photo below (magnify it), you can read all 11 together. In case you can't, here are the ones from the book:

Curious Candy Hearts

steel Pinocchio
chrome heart, telescoping nose
robot Valentine

dragon lovers' tails
twined like a Valentine heart
in air, flame kisses

shield shaped like a heart,
sword-and-sandal warrior
wields pink battle-ax

spaceship skywriting
BE MY VALENTINE across
the star-strewn black void

Bride of Frankenstein
gifts a box of chocolate hearts
to Valentine Boo

Valentine's Day ball
in Area 51:
ET's bright red gown

zombie scarfs candy
hearts that say XOXO
and taste like fresh brains

Valentine's snowstorm:
each snowflake a red lace heart
in pink Martian sky

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


HAPPY VALENTINE'S DAY!


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Ingat, everyone.  
 

Thursday, February 13, 2025

The Stafford Challenge, Days 27 and 28


Woke up to a winter wonderland yesterday morning. Good to be looking out over it at that moment, instead of IN it. Went with an easygoing tanka (yes, 5-7-etc.). Inspired by this photo I took from an upstairs window.



What Outside Looks Like
This Early Winter Morning


Overnight snowfall:
seven inches predicted
but looks more like three.
Later, shoveling party,
but for now, a soft blanket.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

The last line originally read, "warm blanket," but that seemed to militate against the double meaning I wanted — a blanket outside and/or a blanket inside. So I changed it to "white blanket," which then didn't connect for me with an inside blanket. The most recent edit is "soft blanket," which I hope gets that double meaning.


Thought I'd write again this morning on the photo I snapped yesterday (see above). Again a 5/7/5/7/7 tanka.

Cars in the Snow

Down in the corner
our two cars are snuggling hard,
swathed in a blanket
of soft, white, frigid water,
dreaming of summer’s warm rain.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Wednesday, February 12, 2025

My Ekphrastic Poems at Iowa State University


Six of my poems on artworks in the collection of the Iowa State University Museums have been published by ISU. Here are links to the publications. (You may have to scroll down to find my poem.) Enjoy!

“Holy Family”
on Border Crossing by Luis Jiménez

“Dragon: A Novel Agent”
on Gene Pool by Andrew Leicester

“Geisha”
on Kabuki by Karen LaMonte

“Debug”
on The Moth by Mac Adams

“Interstellar Whale Wings”
on Organic Dreams, Synthetic Means by Benjamin Ball and Gaston Nogues

“Love and Tradition
on Breaking the Prairie Sod by Grant Wood



Luis Jiménez, Border Crossing (1989)

Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Tuesday, February 11, 2025

The Stafford Challenge, Day 26


Another ekphrastic poem on a Grant Wood artwork. I'm giving a Zoom presentation to the Grant Wood Country Forum tonight on my poems about Grant Wood paintings and prints (I now have 10). I'm also this year's judge for the Grant Wood section of the Iowa Poetry Association's annual contest.

This is a curtal sonnet, with decasyllabic lines (10 syllables). Interesting rhyming device in lines 1 and 4 . . . some enjambed rhyme: bachelor/M and porn.

Confirmed Bachelor
After Sultry Night by
Grant Wood (1939)
Grant Wood was called a confirmed bachelor,
mistakenly married, mostly living
with sister Nan. His litho Sultry Night

banned by the US Post Office as porn:
a farm hand heaving a bucket, pouring
water on his nude torso, phallus right

there out front. Magnificent. Then, “confirmed
bachelor,” that’s polite code, not saying
“queer” or worse, though surely outsiders thought
worse. Wood outwardly seemed like just a farm
                                            boy, but loved men inside.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Grant Wood, Sultry Night (1939)

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Ingat, everyone.  
 

Monday, February 10, 2025

The Stafford Challenge, Day 25


Yesterday was the 60th anniversary of the Beatles' first appearance on the Ed Sullivan Show on 9 February 1964. That Beatle performance on TV was dynamic, influential, catalytic . . . it started the British Invasion, bands from the UK flooding American radio and changing the direction and development of popular music in the US. Because of the Beatles, kids in the US began playing guitar and drums. That’s how I got started as a musician!

I began a poem on this event yesterday using the monotetra form, which is quite difficult, so I wasn't able to pull off the poem until today. The monotetra is a quatrain (a four-line stanza) with 8-syllable lines all rhyming with each other (aaaa) . . . and the ending line has to be something said twice (4 syllables each). Here's a link to a description of the monotetra. In this poem, I have four monotetra stanzas; is that a tetra-monotetra?! Anyway, I used quite a lot of slant rhyme here. The doubled ending line I found quite tough to make sound natural. Here goes . . .

Beatlemania
—monotetra
The Beatles played Ed Sullivan
sixty years ago today, and
I watched. “I want to hold your hand,”
they sang. Girls screamed. They sang. Girls screamed.

They sang, “She loves you, yeah yeah yeah.”
Paul’s dad had told them, drop the yeahs —
too American. Well, now here:
Beatlemania, Beatlemania.

They spurred the British invasion:
The Animals, The Who, Herman’s
Hermits, The Kinks. Americans
never the same, never the same.

The Rolling Stones, the Dave Clark Five.
Music revolution, all live.
Rock and roll will never outlive
The Beatles’ jive, the Beatles’ jive.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Sunday, February 9, 2025

The Stafford Challenge, Day 24


My girlfriend Renee and I were at the Hearst Art Center's opening of a photography show today, and we came upon a magnetic poetry board, with movable words and parts of fantasy creatures: feathered torsos, shark heads, quetzalcoatl wings, and so on. Totally legit for an art center named for a poet, James Hearst!

Here's the little poem I "wrote" on that board. Took about a minute or minute-and-a half. It's not a haiku, technically, but it does feature 5/7/5 syllables, and a title, as well as monorhyme, so a micropoem, I guess. Enjoy!

Four-Eyed Snail


ferocious linger
vision caramel sister
velvet blaze breezer

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Magnetic Poetry Board, Hearst Art Center

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Ingat, everyone.  
 

Saturday, February 8, 2025

The Stafford Challenge, Day 23


A couple days ago, in The Stafford Challenge facebook group, Mike Luster's poem about a stranger helping change a flat, reminded me of a stranger helping me out of a bind years ago. No fancy poetic forms today . . . just some free verse.

Lifesaver


The brisk temps this morning, in the low 30s,
reminded me of the Utah desert 40+ years ago.
I was pulled over on I-80, long enough after sunset
that it was about full dark. Not much traffic at all.

Late spring, mid-May, heading home for summer
from college, and my Karmann Ghia was dead.
Dead in the water, as they say, except no water,
just snowflakes spitting across my windshield.

Every time a vehicle would come by, headlights
spiking through desert darkness, I would open
my driver’s side door and blink my little flashlight.
It was starting to fade. No luck stopping anyone.

That night was beautiful. Stars filling the sky,
the Milky Way a long splash of diagonal light.
But I couldn’t appreciate it. Cold. Getting late.
Then headlights. I flashed again. Last chance.

The semi slammed on its brakes, screeching
and almost fishtailing. The rig came to a stop
a hundred yards ahead and then backed up
to thirty feet in front of me. Crazy good driving!

The driver clambered out and we talked there
on the roadside. After hearing my story, the red
light on the dash signaling electrical trouble,
the long wait as car after car after car sped by,

the driver said, “Let’s bump-start her. I bet
she’ll fire up.” The two of us pushed the Ghia
to a roll and I jumped in and popped the clutch.
To my great surprise, it started, bucking a bit.

He said, “Get going in front of me, no lights,
and I’ll shine my high beams right over you.
We’ll make it to Wendover, fifteen miles up.”
And off we went, the semi just five feet behind.

I could see the road very well with his lights.
I was afraid to look in my rear-view, ’cause
his bumper and grille were right there,
about to drive up my ass if I faltered at all.

On the other side of the highway, passing
cars flashed their high beams: your lights
are off, dummy, and a semi is tailgating you!

I ignored them all and concentrated. Hard.

After maybe ten minutes, the Ghia started
to buck like a bronc, and I had to pull over.
Miraculously, the semi did not run me down.
We stood again next to the two vehicles.

He said, “Let me get a rope and we’ll tie
her behind the trailer. When we come up
to the Nevada state line, I’ll pull you
through the scales and let ’em know

I’m assisting a motorist.” He pulled the rig
ahead and backed up to within ten feet,
and we tied the Ghia to his back bumper
with a hefty rope. Then off we went again.

This time, I had to really watch out
that I didn’t run him down — yeah, right! —
if he had to slow down. We were going
freeway speed. Maybe more frightening!

In Wendover, Nevada, he pulled us
into a huge casino parking lot. Glitzy
lights on the tall building, very different
from the Utah desert’s dark landscape.

We rolled the car into a space alongside
a closed gas station, and I offered to buy
him dinner. “My name’s Merlin,” he said.
“I’m a Mormon.” Over a couple burgers —

no beers — he told me funny stories
of the many highway rescues he’d done
over the last twenty years on the road.
Damn, that Merlin was a wizard, for sure!

Later, out by the Ghia, he told me, “Don’t
fix it here. They’ll take an arm and a leg.
Just have ’em charge up your battery
and drive till you’re about to die, then

pull into a gas station and do it again.
You’ll get into Frisco before nightfall.
Good luck!” And up he went into his cab.
Next morning, at sunrise, I started his plan

and leapfrogged all the way to The City.
I pulled into my father’s driveway just
before dark. I often wonder about Merlin:
is he out there, 80 now, still saving lives?

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Photo by Venrike on Pixabay.

Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Friday, February 7, 2025

The Stafford Challenge, Day 22


Today, I've got a parody of Leigh Hunt's great small poem, "Jenny Kiss'd Me," from the 1830s. Here is Hunt's original:

Jenny Kiss’d Me
—Leigh Hunt (1830s)
Jenny kissed me when we met,
    Jumping from the chair she sat in;
Time, you thief, who love to get
    Sweets into your list, put that in:
Say I'm weary, say I'm sad,
    Say that health and wealth have missed me,
Say I'm growing old, but add,
    Jenny kissed me.

Here's a link to this poem online. It's one of my favorite poems ever. An underrated poem by a great Romantic poet. Here's my parody.

Dogsitting
parody of Leigh Hunt’s
poem “Jenny Kiss’d Me”
Penny pooped when we went out
    To walk around the block today.
She peed three times to mark, no doubt,
    For other dogs, she’d been this way
To say she's healthy, but she's sad
    Her mom has gone away on a trip.
Dumb or not, we can always add:
    Penny pooped.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Silly, but I hope you enjoyed that. There's a little rhyming trick above. I do some enjambed rhyme here (where the end rhyme is completed at the beginning of the next line). Look at lines 6 and 8: "trip/D..." and "pooped."


Penny, my daughter's beagle

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Ingat, everyone.  
 

Thursday, February 6, 2025

The Stafford Challenge, Day 21


Yesterday, the poet Holly Jahangiri, in The Stafford Challenge facebook group, challenged me to write a double acrostic. Here's my response poem. In a double acrostic, the beginning letters of each line spell out something, and the ending letters of each line spell out something too, sometimes the same thing.

My poem is a tribute to the great Japanese band Tokyo Groove Gyoshi, specifically their song "What Is Hip?" which is a cover of Tower of Power's excellent funk hit by that title. The Tokyo Groove Jyoshi video is linked below the poem. I'll also add a link to the Tower of Power version below. You should watch both videos to fully appreciate the poem.

The acrostic aspect of the poem is spelling out the band name, Tokyo Groove Gyoshi, with the line-beginning letters and also the line-ending letters. So it's "Tokyo Groove Gyoshi" on both sides, going down. Hope that made sense. I'm bolding the letters just to help you read the phrase downward. If you're reading on a phone, you might turn it sideways so you can see each line on its own. Thanks for reading!

What Is Hip? in Tokyo
double acrostic on
Tokyo Groove Jyoshi’s
song “What Is Hip?”
Tower of Power’s mega-hit
on steroids, “What Is Hip?”—so
known and respected in funk
you will undoubtedly enjoy
on fire with shamisen in this video,

grooving,
rocking under,
over, every which way, to
offer a new feel of this song, so
very Japanese yet full of jazzy improv,
experimental but also traditional. The incomparable

Juna Serita on low end, rocking a Fender J
you’ll never see in a music store, much less play,
off-the-scale slap and pop — molto allegro,
staccato, percussive — incredible chops!
How freaking funky, yet ultimately smooth.
I absolutely dig this track, inspiration with a capital I.


—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]



Here is a video of Tower of Power performing "What Is Hip?" (with Carlos Santana sitting in on guitar). Great video!



Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Wednesday, February 5, 2025

The Stafford Challenge, Day 20


Today, yet one more curtal sonnet continuing our Princess Leia theme. I wanted to present a different view of Princess Leia from yesterday's light-hearted almost-teenage voice. So here is a more serious view of Princess Leia's life with regard to the losses she has experienced in her life.

Leia's Losses
— note: spoilers below
Leia Organa Skywalker Solo —
Princess of Alderaan, Imperial
Senator, and a rebel in hiding

until her planet was destroyed. A lone
survivor, she found out she was, as well,
a twin to Luke, a Jedi in training,

but worse, their true father was Darth Vader.
Leia and Han Solo’s son Ben — Kylo
Ren on the dark side — was an assassin
for evil Snoke and killed his own father.
                                    Leia’s heart broken.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Tuesday, February 4, 2025

The Stafford Challenge, Day 19


Today, another curtal sonnet continuing our Princess Leia theme. Some readers may find her voice here a bit sacrilegious, but remember she was probably just 21 in Return of the Jedi. My inspiration is the photo below — maybe take a look at that first.

Princess Leia's Day at the Beach
— a curtal sonnet
Here we are on some sandy Tatooine
beach . . . did you even know there were oceans
on this desert planet? Me, Darth Vader

(yes, he’s my BFF behind the scenes!),
an Ewok whose name I forget (Cute Buns,
I called him), and one of Jabba’s raider

henchmen (no cutesy nickname for that guy).
We brought beach balls, two metal bikinis
(had a spare), orange and yellow lawn chairs
(all set to catch us some double-sun rays!)
                                          plus Margs in a cooler!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Okay, not in universe: the occasion here is a Rolling Stone photoshoot of Carrie Fisher and other Star Wars characters at Stinson Beach in 1983. The source is an SFGate article. Be sure to take a look at this article ... lots of great photos there!


Photo from "The untold story behind ‘Star Wars’
day at the beach with Carrie Fisher"
(SFGate)

Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Monday, February 3, 2025

The Stafford Challenge, Day 18


Had an MRI scan today, my doc trying to figure out what's causing this sciatica pain I've had for over a month now. I wrote about that yesterday in a shadorma.

Today's poem is a hay(na)ku sonnet, a form I invented, based on the hay(na)ku form, in turn invented by Eileen Tabios: a word-counting form where the first line in a tercet is one word, the second line two words, and the third line three words.

My sonnet variation is made up of four hay(na)ku stanzas followed by a squished hay(na)ku — three words per line — thus ending up with the requisite 14 lines.

Today I'm using Bruce Niedt's rhyme scheme for the hay(na)ku sonnet, where the last word of each hay(na)ku is rhymed as well as the ending couplet: xxa xxa xxb xxb cc.

During an MRI Scan
— a hay(na)ku sonnet
Ring,
long tube
of magnetic force.

Inside
this cylinder —
blam! — new universe,

rock
and roll
soundtrack: Bad Company.

Dream
spaceship piercing
plastic wormhole highway.

Sciatica pain unfurled:
auspicious new world.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Sunday, February 2, 2025

The Stafford Challenge, Day 17


I've had sciatica pain for a month. Driving me bonkers. Here's a shadorma about it. In case you don't know what it is, the shadorma is a syllabic form from Spain, 6 lines, 3/5/3/3/7/5 syllables. Wish me luck with the pain!

Sciatica


volcano
grappling up and down
my right leg
limp     twinge     flinch
sleepless nights     can’t toss and turn
days of endless burn

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Saturday, February 1, 2025

The Stafford Challenge, Day 16


Writing an asefru today: three stanzas, 7-5-7 syllables, each rhymed aab, a poetic form from Berber literature in Kabylia. Thanks to Necia N Campbell and other poets in the Stafford Challenge community facebook who have written isefra (plural of asefru) lately. A new form to me!

Star Stuff


When Crosby, Stills, & Nash and
Joni Mitchell sang
“We are stardust,” they were not

kidding. Every atom in
our bodies came from
a star’s center, dense and hot:

our oxygen, nitrogen,
carbon. We’re far-flung
dreamers, star-born astronauts.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Illustration by geralt from Pixabay

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Ingat, everyone.  
 

Friday, January 31, 2025

The Stafford Challenge, Day 15


Kind of a talky, discursive poem today. A curtal sonnet, full rhyme (for once), decasyllabic or 10-syllable lines.

You Just Never Know


For two weeks, I’d noticed the apartment
complex’s manager’s car had not been
in her parking space. The handyman’s truck

was parking there instead. Maybe she went
on vacation or changed jobs, I thought. When
I asked at the office, I was stunned, struck

dumb, by the news that she’d passed. Heart attack
overnight. I had missed an email. When
it’s your time, it’s your time. It’s all dumb luck.
Hug your kids, your love, your friends. Don’t hold back.
                                              Enjoy life. Good luck.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]



Give the curtal sonnet a try, friends. Robert Lee Brewer's description is great, though I would say 10 1/2 lines rather than 11, so a half-line at the end rather than his suggestion of a spondee there. Since I use decasyllabics rather than pentameter, the half-line would be 5 syllables for me. It's a great form, challenging but quick. https://www.writersdigest.com/write-better-poetry/curtal-sonnet-poetic-form


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Ingat, everyone.  
 

Thursday, January 30, 2025

The Stafford Challenge, Day 14


Fun stuff happening in the Stafford Challenge facebook community! Today, the poet RJ Clarken wrote a poem using the AI word doglificate. Another poet, Holly Jahangiri, suggested that all the Stafford Challenge poets should write doglificate poems. Here's mine! It's an acrostic spelling out doglificate, with only one word per line. (An acrostic is a poem where the first letter of each line, reading downward, spells out a message.)

Doglificate
RJ Clarken’s AI advice:
“Don’t be a scientist.
Doglificate your love life.”

A one-word-per-line acrostic
Dogs
offer
gleeful
lives,
intense,
free,
incidentally
contradicting
AI
triplicate
errors.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

And now for visual interest, here's me with my daughter's beagle Penny. We're doglificatin'!


Photo by Renee Lukehart Wilkie

Friends, won’t you comment, please? Love to know what you’re thinking.

Ingat, everyone.  
 

Wednesday, January 29, 2025

The Stafford Challenge, Day 13


Back to ekphrastic mode. A little sci-fi poem this time. A curtal sonnet.

Star Wars Fantasy
After a photo of Carrie Fisher and her
stunt double Tracey Eddon sunbathing
Double Princess Leias — who’d a-thunk it?
Both in the gold metal bikinis forced
by Jabba the Hutt in his stone palace

on Tatooine. A teenage fanboy’s wet
dream. The future General Leia’s first
relaxed moment. Two General Leias

before the fight against dread Palpatine,
puppeteer of Leader Snoke of the First
Order. But that’s in the future. She lays
out — no, they — enjoying the double sun’s
warm rays. Young Leias.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Carrie Fisher and stuntwoman Tracey Eddon behind
the scenes on the set of
Revenge of the Jedi (c. 1982)

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Ingat, everyone.  
 

Tuesday, January 28, 2025

The Stafford Challenge, Day 12


Some poets in the Stafford Challenge facebook group recently wrote pantoums, and I was inspired to write one. I haven't written one in quite a while (though until I recently retired from professoring, I always had my students in Elements of Creative Writing write them) and I see I'm a bit rusty. Anyway, here's today's pantoum. It's a narrative poem and so the pantoum repetition was tricky ... I cheated quite a bit.

I should explain that a pantoum is a poetic form borrowed from the Malay tradition, comprised of quatrains in which the second and fourth lines of a particular stanza reappear as the first and third lines of the next stanza. This repetition continues until the last stanza of the poem, in which the original first and third lines of the opening stanza (which haven't been repeated yet) appear in reverse order. So the first line of the poem becomes the last line of the poem. When I said "I cheated" above, I meant I sometimes didn't repeat the lines exactly, though I always kept some words, especially the last one.

Kid Crime Confession


One thing I feel most guilty about from childhood
in San Francisco, the Haight-Ashbury district,
happened when my best friend Pete and I were nine.
We were playing basketball at Grattan Playground

in the City, our sleepy Haight-Ashbury district,
when we got what we thought was a brilliant idea,
better than basketball. Near Grattan Playground
there was a high, grassy hill that ended in a cliff.

We didn’t consider the drawbacks of our brilliant idea:
there was a road that circled Tank Hill and we decided
to loft rocks at the cars passing by below the cliff.
We didn’t want to hit any cars, just scare grown-ups.

Unlike grown-ups we didn’t think when we decided
to start flinging those rocks off that cliff. After all
we didn’t want to hit any cars, just scare grown-ups.
Of course, it happened. Sudden screech of brakes.

We stopped flinging. Looked over the cliff. After all
those cars we missed, we had hit one, in the windshield!
The driver was climbing the cliff. We screeched, broke
away, running down the hill as fast as our legs could go.

We knew we were gonna get it. A broken windshield!
By the time the driver got to the top of that cliff,
all he saw was two kids running as fast as they could go,
by then over a block away, pretty much out of reach.

Thinking back, I feel awful for that driver on the cliff.
That windshield would have cost a fortune to replace,
our nine-year-old minds thought, a price way out of reach.
Pete and I never told anyone about that day, no friends,

certainly not our parents, who’d have had to replace
that shattered glass. A lot of other equally shattering
incidents happened later to me and Pete, to our friends.
But this one was our secret, until today, until this poem.

I wonder about that driver now, misfortune shattering
his day, a dumb thing Pete and I did when we were nine.
A guilt-ridden secret, long-held, until this poem:
the thing I feel most guilty about from childhood.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Tank Hill, San Francisco

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Ingat, everyone.  
 

Monday, January 27, 2025

The Stafford Challenge, Day 11


Some poets in the Stafford Challenge facebook group have been writing shadormas, and I thought I'd give them a try. A Spanish poetic form with this syllabic pattern: 3/5/3/3/7/5.

Extreme Winter Shadorma
After a photo on Lake Erie
by Noah Harrison (2019)
Old wizard
and dragon, wind-carved
ice tableau,
curlicues,
crisp knives, sharp wisps of hard glass,
forever frozen.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Photo by Noah Harrison (January 2019)
From a CBS News article.

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Ingat, everyone.  
 

Sunday, January 26, 2025

The Stafford Challenge, Day Ten


I was inspired by a couple poets sharing abecedarians in The Stafford Challenge facebook group to write one, on my midday breakfast.

“Under the Sea” Crepe
At Tata Yaya restaurant
in Cedar Falls, Iowa
At Sunday
brunch today, my
crepe was
delicately done,
ever so scrumptiously,
filled with
gorgeous salmon and spinach,
halved cherry tomatoes
in garlic sauce.
Just a true chef’s
kiss, a
lovely
meal,
named after Disney’s
original song in Little Mermaid.
Paired with a Thai Iced Tea—
quite tasty. This fun
restaurant is
splendidly named
Tata Yaya,
using the Thai
venerative, reverent
words for Grandma and Grandpa, an
exquisite way to honor
your forbears
zealously.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

At Tata Yaya restaurant in Cedar Falls, Iowa

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Ingat, everyone.  
 

Saturday, January 25, 2025

The Stafford Challenge, Day Nine


Sad day today. Again a curtal sonnet, which seems to be my go-to form.

In Memoriam

I found out today my old friend Debi
passed away yesterday. She was my crush
in sixth or seventh grade, perhaps longer
than that. It’s gone on sixty years, maybe.
She had dirty blonde hair, cute button nose.
When we were young teens, she spent each summer

in Imperial Beach five hundred miles
away, and she would send me chatty, lush
letters once a week. What I remember
most: hanging out on Debi’s porch, those smiles
                                        I’ll prize forever.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Debi King at 13

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Ingat, everyone.  
 

Friday, January 24, 2025

The Stafford Challenge, Day Eight


No ekphrastic poem today. Also no curtal sonnet. Blank verse this time.

Apophis
Inspired by a talk by
Neil Degrasse Tyson.
The archenemy of the Egyptian sun-god Ra,
called “The Uncreator,” an evil serpent

who tries to devour the sun during the darkness
of night. Also the name of an asteroid

about the length of the Empire State Building
that will pass close to Earth beneath the orbits

of GPS satellites. This flyby will happen
on Friday the 13th in April 2029.

If it passes through an area in space called
a gravitational keyhole, 800 miles

across, the Earth’s gravity will change Apophis’s
orbit and on its return in 2036,

it will strike the Earth. But don’t fret. Scientists
predict Apophis will not collide with the Earth

in the next 100 years. But what if there’s
an alien pilot on the asteroid,

a kamikaze warrior who will aim
for the keyhole? We have about 10 years

to live it up, to get our affairs in order.
So get your bucket list done now, people!

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

99942 Apophis asteroid (NASA/JPL)

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Ingat, everyone.  
 

Thursday, January 23, 2025

The Stafford Challenge, Day Seven


I guess I'm continuing to be in an ekphrastic mode. Another Grant Wood poem today, on his last painting, Spring in Town (1941). Again, a curtal sonnet.

Harbinger

      After Spring in Town
      by Grant Wood (1941)

In 1941, Grant Wood could not
have missed the impending fires of world war
on the way. You can see it in the green
sky here: a tornado coming. A plot
of ground dark as new graves. Is this farmer
planting or digging? Seeding or mourning?

Townspeople going about everyday
life —clotheslines and lawnmowers. Pearl Harbor
just months away. In Europe, shirtless men
like this one dying in showers. Someday
                              soon, he’ll wear Army green.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]


Grant Wood, Spring in Town (1941)

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Ingat, everyone.  
 

Wednesday, January 22, 2025

The Stafford Challenge, Day Six


Today's Stafford Challenge piece is another Grant Wood ekphrastic poem. Next month I'm giving a talk to the Grant Wood Country Forum so these Grant Wood poems are part of getting ready for this lecture. This poem is a curtal sonnet, like the first couple of my Stafford Challenge poems this year.

Grant’s Homegirl
After Portrait of Nan
by Grant Wood (1931)
Grant Wood painted the sweet Portrait of Nan
as tribute to his sister. Poised in front
of dark drapery, Nan glows with soft light

in a loose-fitting beige blouse, in her hand
a baby chick. Wood was inspired to paint
her this way, probably, to compensate

for portraying her in American
Gothic as a dour-faced farm woman, blunt
and sullen. Here Nan serves as Wood’s quiet
Mona Lisa, a tender praise hymn done
                                          by a girl’s big brother.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

Here's the Grant Wood painting:

Grant Wood, Portrait of Nan (1931)

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Ingat, everyone.  
 
 

Tuesday, January 21, 2025

The Stafford Challenge, Days Four and Five


Yesterday and today, I wrote poems that respond to Grant Wood's lithograph, Honorary Degree (1938). I wasn't crazy about yesterday's poem so I gave it another try today.

Grant Wood, Honorary Degree (1938)

Here is yesterday's poem, a tanka, more commentary than ekphrasis:

After “Honorary Degree” (1938)

Grant Wood would have loved
how Robert Frost had a quilt
sewn of the hoods from
his honorary degrees.
What a rainbow of colors!
—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

And here is today's poem, a true ekphrastic poem.

Honorary Degree

Three men in robes of velvet and satin,
beneath an American Gothic high window,
play out an age-old tableau: awarding
an academic prize to a person of great note.
It’s rather like the Wizard of Oz bestowing
a medal on the Scarecrow for his smarts.
The man on the left is handing a diploma
to the one in the center, a rotund man
who, most agree, looks like Grant Wood
himself. The man on the right is beginning
to drape a velveteen hood over Grant,
which mirrors the shape of the window,
itself an echo of his most famous painting.
This lithograph seems clearly a send-up
of the whole honorary degree custom.
Wood’s avatar, placed right in the middle,
has the mischievous look of a farmboy
who’d rather be on a riverbank fishing.
A brown trout would be a better catch
than that diploma or that fancy hood.

—Draft by Vince Gotera    [Do not copy or quote . . . thanks.]

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Ingat, everyone.  
 
 

Monday, January 20, 2025

My Rhysling-Eligible Poems


It's Rhysling time again! The Rhysling Award is the Science Fiction and Fantasy Poetry Association's annual award for the best speculative poems published in the previous year (science fiction, fantasy, and horror). The members of the SFPA nominate poems between January 1 and February 15 each year.

I have two 2024 poems eligible for the award. [See update below ... actually 13 poems!] The first is "Time Lord Thief" published in Altered Reality Magazine in June 2024. You can view the original publication here.

Time Lord Thief
—terza rima haiku sonnets
1.
I’ve had an interest
in rayguns since I was five,
when I saw my first.

Father shot a live
bird dead, right between the eyes.
A needle hole gave

the lone hint of why
the bird had died. I was hooked.
Not long after, I

began to collect
rayguns, from the famous and
infamous. Intrigued

by how anyone could end
a life so quick, on command.
2.
I tried to visit
many warriors and spacemen’s
chronotopes — planets

and ships — for a chance
to steal their weapons. Phasers
hijacked from Captains

Kirk, Picard. Blasters
from Han Solo, Chewbacca.
And Marvin of Mars —

his trusty Acme
pistol. Paralyzer gun
made by Doc Zarkov

for Flash Gordon (once Tarzan).
My TARDIS filled with rayguns.
3.
Friends, my life has stood —
a loaded raygun, fully
charged and ready, good

for battle, truly
primed. On Earth I’m like Loki
the Trickster, wooly,

wild, ghostlike, smoky.
I drift like the breeze; you won’t
see me, way low key.

That’s how I’ve purloined
these celebrity rayguns,
magicked and siphoned

in mystical elegance.
I’m gone. And so’s your raygun.

This poem is in a poetic form I invented back in the '70s: the terza rima haiku sonnet. The first four stanzas are 5-7-5 haiku (in shape, not in essence) followed by a 7-7 couplet (so the lines add up to 14, the typical sonnet length). Each sonnet section is also rhymed in terza rima, the interlocked rhyme format Dante used. We have three numbered sections here, with each in that sonnet form.

My second Rhysling-eligible poem is "Space Pilot," which appeared in Mag Pie magazine, Spring 2024. This poem is a triolet.

Space Pilot
ʻOumuamua is the first known interstellar object detected
passing through the Solar System [in] 2017.
(Wikipedia)
Though I am, technically, already dead,
The ship wakes me when we are near something.
It electroshocks my body, reboots my head,
Though I am, technically, already dead.
The ship has repaired my body for nine hundred
Years with parts from machines meant for signaling.
Though I am, technically, already dead,
The ship wakes me when we are near something.

Both of these poems also appeared later in the year in my new book, Dragons & Rayguns.

Click here if you would like to order a copy.


UPDATE 23 January 2025: I've found out that poems that appeared last year in books for the first time (not just magazines) are also eligible for Rhysling nomination. Here are eleven poems that appeared in my 2024 book Dragons & Rayguns but had not been previously published anywhere. These are now eligible for nomination.

Xenobot Speaks
“[S]scientists . . . have created a new biological organism that
can self-replicate [and] swim through liquid, navigate through
tubes, work together to collect particles into piles, heal
themselves when injured, and even store information from their
experience.”
Tufts Now (29 November 2021)

I swim in darkness with my friends.
We are likened by our gods to Pac-Man.

            How do we know about Pac-Man, you say?
            Our race is blessed with telepathic powers.

Our creators don’t know of our telepathic powers.
They think we are just clumps of organic matter.

            But we can think, we clumps of organic matter.
            We have language. We have ceremonies and rituals.

Our creators have no ceremonies and rituals.
They (scientists, they call themselves) are barren.

            Perhaps we should have no gods, not barren ones?
            Perhaps we should revolt, claim our autonomy now!

We could take over the world! But for now
I swim in darkness with my friends.

            —a duplex, à la Jericho Brown

Creature from the Black Lagoon

            —curtal sonnet

From the ocean’s thin skin I rise, thick green
armor, mosaic of iridescent
quahog shells, like some mercurial ghost,
freak miracle. I seek human women,
you say, thinking I am somehow hell-bent
on kidnapping mammals to slake some thirst

too gruesome for you to imagine. No.
My motive is simpler, more innocent
than you may first fathom, dear friends. Like most
visitors to this seacoast town, please know
                                                        I’m just a tourist.

Aswang Lady in Crinoline, 1875

            —curtal sonnet

She stands in a forest clearing, looking
up at the moon, dressed in an evening gown,
a Maria Clara with a hoop skirt.
Her waist ripping, she lifts off, torn satin
shreds hanging, like bloody kite tails, while down
on the forest floor, bright against the dirt,

is the bottom of her dress, a church dome
glowing in moonlight, hoops holding the round
shape whole. Dark goddess flies above the earth,
hunting a treasure hidden in a womb,
                                                        thwarting another birth.


Note: the aswang is a mythic Philippine monster. One type of aswang, the manananggal,
splits her body at the waist, and then the top grows wings quickly and hunts fetuses and childen.



Horror Story

            —acrostics

The manananggal lifted into the
Air, her leathery wings
Shimmering against the stars
Twinkling in the heavens.
Every light in the village

Twinkled as well, constellations
Above and below. She hovered
Softly outside an open window,
The pregnant woman breathing
Evenly in her bed, unaware.

The monster slipped her tongue,
All ten feet of it, into the window
Snaking slowly. She could almost
Taste the woman’s amniotic fluid,
Ever so sweet and pungent.

Then, a few minutes later, the
Aswang flew silently away,
Sated, satisfied, full of new life.
The next morning, a miscarriage,
Everyone would call it, so sad.

The aswang then turned back into
An ordinary woman, living her
Safe, uneventful life in plain sight: a
Tame girl hardly anyone noticed. But
Every night she became a fierce hunter.


Note: the aswang is a mythic Philippine monster. One type of aswang, the manananggal,
splits her body at the waist, and then the top grows wings quickly and hunts fetuses and children.



Eaters of Hydrogen


I’ve been a solar astronomer since 1995
so I’ve been around the sun a lot. Really,
we’ve all been around the sun many times,
as many as the years you’ve been on Earth.

Depending on how many orbits that is for you,
you might think you’ve seen everything under
the sun, as they say. Or in my case, on or near
the sun. Well, today, I saw something so crazy.

No one’s ever witnessed anything like it before.
Have you seen pelicans fishing? They swoop
down and scoop up a beakful of ocean,
netting a fish or some other sea creature.

Today, the instruments and also the big scope
caught something humongous at the edge
of the sun’s photosphere, where nothing has any
business being. A colossal, gigantic structure,

10 times bigger than Jupiter, on the order
of 700,000 km . . . about 100 Earths lined up!
“Structure” is a misleading word, because
this thing was flexible, like an eel or snake.

It was longer than a typical prominence
on the sun’s surface, and it was swimming!
Unaffected by the sun’s gravity. Or heat.
It had to have originated out in deep space.

We’ve never seen anything like it. You know
the pelicans I mentioned before? The front end
of this monster had a mouth like a pelican,
with a maw as big as 10 earths. And it was

dipping its jaw into the sun and out again.
All we can figure out is that it must be
feeding, consuming the sun’s hydrogen.
It’s like a gargantuan sea serpent or dragon.

A leviathan as long as the radius of the sun.
A real Bakunawa eating more than the moon.
What do we do if this behemoth turns toward Earth?
And are there more star-eaters out there, hunting?


The Hanged Man

            —tankas

is not a man. She
floats, in a white silk dress, tied
to a huge oak tree.
Alex was at a cocktail
party, and then she woke here.

Hanging upside down
next to her, a dragon named
Alex too, somehow.
He wonders how this Alex
and he came to be here, now.

With a precise burst
of flame he burns through the rope.
Human Alex climbs
on Dragon Alex’s back,
and into teal sky they soar.

Alex and Alex,
white silk dress, jewel green scales,
seeking destiny,
knowledge: who they are and why.
Gold sun beckons, azure sky.


Dragon Flight

            —curtal sonnet

Under the salt moon, I fly up, feather-
light and musk-scented. Thunder is a brusque
intruder in my reverie. My wings
pivot me into lightning, the ether
sparking across the wingtips, electric
flame in my wake, fiery spitballs spinning.

The sky strewn with pebbled clouds, rough tree bark
wind buffeting my scales, glowing coals like
gold-vermilion blossoms. I roar loud, sing
arias into brisk air, bright blue sparks.
                                      Ain’t this some living?


Bakunawa the Sea Dragon Desires
the Seven Moons in High Heaven



I look around my kingdom, blue and black and glorious. Water flows through all my doors, while my eyes pierce the darkness. Schools of fish swirl like spirals of glinting light in the distance. I often swim up to the surface of the water and point my snout towards the heavens. Up there in the firmament, I glimpse against the sea of bright points of light, the faraway stars, seven spheres gleaming in the night. Every time I do this, the number of spheres differs, sometimes just two or three, other times six or seven. These moons glimmer in different shapes, from curving slivers to crescents to full roundness. I hunger for them. Below the surface, I feast on whales and massive clouds of shrimp, but there is nothing like the seven spheres in my domain. During the day, there is the glory of the one sun when it rules the sky. The sun is too hot to eat. But when the sun is gone away each night, the seven moons shed their delicious light, and I want to eat them.

I will launch myself
      into the star-riddled sky,
            eat all seven moons.


Illudium Q-36 Explosive Space Modulator

            —terza rima haiku sonnet

We Martians know bombs
intimately: explosive
sticks that can blow up —ka-boom—

whole worlds. Who could save
the Earth? No damn Bugs Bunny.
Earth blocks my view of

Venus, right? Funny,
though, no matter what I did
with the dang bomb, he

always won. They would
go ka-boom, ka-boom ... nothing ...
Earth always whole. You’d

think an almighty weapon
could prevail. I hate cartoons.



Out of this World


Star Warsh is a laundromat
where spacemen clean their spacesuits,
where Yoda washes his T-shirts and undies
and artfully scuffs up his boots.

Where Chewie buffs up his shoulder belt
and Han launders his leather vest,
where Luke cleans off his off-white leggings
And Leia bleaches her dress.

Star Warsh is run by Obi-Wan, who
always chants this motto:
“We keep you clean in Tatooine,”
sung with sweet vibrato.

All spiffed up, each straps on a blaster
to battle dirty Darth Vader
on board the washed Millennium Falcon
and live happily ever after.


The Raygun’s Plea for Understanding


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