Sunday, January 8, 2012

In the Cool of the Evening ...

. . . when everything is gettin' kinda spooky.
I was barely 16 when the rock song "Spooky" by the Classics IV came out. An ardent devotee of rock guitar, I immediately started to work out how to play it — no Internet or Google then, you had to work out the chords by ear, meticulously plunking out notes while listening to records over and over. The first chord of "Spooky" was easy: an E minor 7th chord with a cool double note on the two highest strings: D and G. Like this: 020033.
A quick detour here for non-guitarists. The numbers in the symbol above refer to frets used with each string. Left to right, lowest string to highest string: the notes E A D G B E. The "0" means an "open" string, i.e., unfingered. The fingering shown in the symbol above, then: (1) the second lowest string (A) at the second fret (thus, a B note), (2) the second highest string (B) at the third fret (a D note), and (3) the highest string (E) at the third fret (a G note). So the symbol 020033 above stands for the notes E B D G D G . . . hence, Em7. Hope that helps.
The second chord was tougher to identify. I knew it was an A major chord of some kind, but it was hipper than that. I then noticed the presence of an F# note on the high E string. And so, throw that note on top of the A chord: x02222 . . . that is, A (add 13). Beautiful. (Not quite a full-fledged, card-carryin' A13 because the 7th and the 9th are missing. You know, I always loved how those jazz guys pushed us three-chord rockers.)

The "spooky" feeling comes partly from chordal interplay on the highest 2 strings. The Em7's D note on the B string slides down a half step to a C# in the A(add13). And the Em7's G note on the high E string similarly slides down to an F# for the 13 added to the stock A chord. Back and forth, slyly and subtly, back and forth. Brilliant.

But the really brilliant part comes near the end of the pattern when the song goes jangly and dissonant with the third chord, Bb diminished 7th. You can hear this strangely cool chord behind the words "all right" in the opening verse. The Bbdim7 isn't merely a passing or transitional chord, as diminished chords often are. It's used as a main chord in the song. Now that's spooky.

Often a songwriter will quickly resolve the unstable feeling of a diminished chord by following immediately with a chord a half step higher. So one would generally expect the next chord in this song to be some sort of B, major or minor. But that doesn't happen. The song makes you wait three more measures before resolving the whole pattern (not just the diminished weirdness) with the fourth chord, a B minor. Lots of spookiness throughout the song.

Before we go any further, I need to 'fess up. I lied above. Well, a fib, a white lie. I simplified things to make the story (and the chord symbols) smoother. Guitarists love songs in E (major or minor) because the instrument's highest and lowest open strings are tuned to E, predicating the guitar's tonality. Just letting you know, 'cause surely someone among you is saying "Wait, the Classics IV didn't play the song in E minor." Yes, I know it was F minor. Just taking some poetic license. And slingin' a capo on the first fret.

All right, back to the story. The Classics IV version (October 1967) is actually a cover (that is, not the original version). Many people think Dusty Springfield's 1970 version is the original, but it's a cover too. And the lively (and well-known) version by the Atlanta Rhythm Section in 1979 is also a cover. The original "Spooky" was an instrumental by saxophonist Mike Sharpe (nee Shapiro) and Harry Middlebrooks, Jr., released in 1967. Here's a video of Mike Sharpe's cut.
Mike Sharpe, "Spooky" (1967)


http://youtu.be/rf3jGU4PUws

Note: if you click on the arrow, the video will play here. The web address below the image will play the video on YouTube, where the screen is larger and high-definition is accessible.
Beautiful, ain't it? Wasn't really that popular, though. Then the Classics IV threw in some appropriately spooky lyrics and that's where the saga begins, for me at least. Listen to this cut below, especially the sax interlude after the second verse . . . pretty sure it's Mike Sharpe playing basically the same improv line as in the version above. The Classics IV version, with words, struck a chord with the public (forgive the pun); the song reached #3 in the US. And did pretty well in the UK too, a counter-salvo of sorts "against" the so-called British Invasion.
Classics IV, "Spooky" (1967)


http://youtu.be/S8tSSTnHM7o
Fast forward to now . . . "Spooky" has become a cover standard, with versions by many artists of all sorts.
Here's where you come in, O Gentle Reader. I'd really love to know which cover version you like best. The "classic" Classics IV version above? Or one of the covers below? Why? Write me a comment below, please. Deal?
Even someone as mainstream in the '60s as Andy Williams — think Christmas specials and "discoverer" of the Osmonds — got into the act. Check out his version, recorded quite soon after the Classics IV release.
Andy Williams, "Spooky" (1968)


http://youtu.be/ybvkV8vsuDY
And the folkies too. How much more folk royalty can you get than The Lettermen? This ain't a bad version, either, by the way.
The Lettermen, "Spooky" (1968)


http://youtu.be/1w2F1b6Gflg
"Spooky" was covered internationally too. The Golden Cups, a "proto-punk," "proto-garage" band from Japan, threw their hats (cups?) into the ring.
The Golden Cups, "Spooky" (1968)


http://youtu.be/LW3n8w8ThBY
"Spooky" in the vein of the Classics IV was definitely a straight guy's song: "Love is kinda crazy with a spooky little girl like you." The cover artists above followed the Classics IV's masculine lead. That changed with Dusty Springfield's version a couple of years later. Listen how she revises the lyrics below . . . women of that time didn't propose marriage. As a consequence the reference to Halloween was written out and, as my daughter Amanda Gotera has pointed out to me, the projected relationship between the singer-narrator and the spooky lover becomes much more indeterminate and strange.
Dusty Springfield, "Spooky" (1970)


http://youtu.be/-iq9xyc5hjw
In 1971 some members of the Classics IV formed the Atlanta Rhythm Section and "Spooky" crossed over into Southern rock. Note in ARS's version below how much more guitar-driven and Allman Brothers-ish the song becomes. I love this version. It definitely ROCKS. And there's a Wes Montgomery-style guitar break at 4:08. Hm-hmm.
Atlanta Rhythm Section, "Spooky" (1979)


http://youtu.be/cMAo0m4E4Lc
"Spooky," with the Santana-esque possibilities of its Em / A vamp, lends itself well to bravura soloing, as we saw above with ARS and we'll see below with The Jazz Butcher. (The Santana band never covered "Spooky" as far as I know, though they did an excellent version of the Classics IV song "Stormy.") Okay, now here's The Jazz Butcher.
The Jazz Butcher, "Spooky" (1988)


http://youtu.be/wFielGAVxUk
A decade later, R.E.M. incorporated "Spooky" into their live show. In the video below, Michael Stipe tried to retrieve his lyrics "cheat sheet" from German fans who had snatched it off his music stand. "I don't know the words," Stipe said, having difficulty with the language barrier. (If you want to skip that part, the song starts at 1:23.)
R.E.M., "Spooky" (1998)


http://youtu.be/ffeSU33qX9U
Probably the most interesting revision of the words into a female situation is Joan Osborne's. Note her graceful rewriting of the third stanza. Also more than a hint of a lesbian relationship. A smoldering, smokey "Spooky," def.
Joan Osborne, "Spooky" (1999)


http://youtu.be/XhZAG7uVjmE
Over the years, "Spooky" has been redone, re-envisioned, redecorated, "revisioned" into a variety of musical styles. Here are some samples.

Lydia Lunch . . . No Wave? Experimental? Avant-garde? You got me. Off-key on purpose. A parody of the Classics IV, actually the whole lot of the "Spooky" cover artists.
Lydia Lunch, "Spooky" (1979)


http://youtu.be/pvecyq5dB4Q
Daniel Ash . . . techno, synth-pop.
Daniel Ash, "Spooky" (2002)


http://youtu.be/5NYQ34Zf7Lo
Imogen Heap . . . torch, indie.

(Incidentally, this version was used in the TV show Eastwick, sung by the character Kat, reclining on a piano á là Michelle Pfeiffer in The Fabulous Baker Boys.)
Imogen Heap, "Spooky" (2005)


http://youtu.be/TA8tlbIINgo
The Puppini Sisters . . . retro-swing like The Andrews Sisters. A fun, campy version.
The Puppini Sisters, "Spooky" (2007)


http://youtu.be/c2v3Ej7z46E
Pixie Lott . . . dance-pop.
Pixie Lott, "Spooky" (2010)


http://youtu.be/KvKe6pU2RKE
Phish . .  psychedelic jam, Grateful Dead-like.
Phish, "Spooky" (2010)


http://youtu.be/L9XT1VnAZLI
Amateur YouTube renditions have also surfaced. Witness this sultry "Spooky" by the Italian singer Sayaka Alessandra. Note how she pares down the chords to let her voice take center stage.
Sayaka Allesandra, "Spooky" (2010)


http://youtu.be/SsQc6Zu-RWk
I'd like to give the Classics IV the last word here — well, actually, the Atlanta Rhythm Section, descendant of the Classics IV. Here's ARS playing "Spooky" live in concert last year.
Atlanta Rhythm Section, "Spooky" (Live in 2011)


http://youtu.be/vl7shA6Yv3o
Well, that's it. According to "Wikipedia "Spooky" has also been covered by Martha and the Vandellas, Velvet Monkeys, GoldieLocks, David Sanborn, and others; featured on both big screen and little (the movies Fandango and How to Lose Friends and Alienate People as well as the TV show American Horror Story); and sampled by such artists as The Bloodhound Gang. A great track record for a "spooky little" song.

So . . . which one of the covers above did you like best? A tough choice for me. I'll always have a soft spot for the Classics IV version, but I also love Atlanta Rhythm Section's take. Gotta love Joan Osborne's rendition as well as Imogen Heap's. What's your preference? Please leave me a comment below. Which one? Let's talk about it.
I get confused 'cause I don't know where I stand.
And then you smile . . . and hold my hand.
Hope you've had a great weekend, everyone. And that this post has triggered some fun memories. Good music, at any rate. Even if you don't have a take on which "Spooky" cover rocks your world the most, leave me a comment anyway. See ya below. Take care. Ingat.

 

1 comment:

Voice Instructor san mateo said...

This is a really cool website. Great job, the comments are really insightful.




13th floor elevators (1) 3d (1) 9/11 (3) a schneider (1) abecedarian (13) acrostic (6) adelaide crapsey (1) african american (1) aids (1) aisling (1) al robles (2) alberta turner (1) alex esclamado (1) alexander chen (1) alexander pushkin (1) alexandra bissell (1) alexandrines (4) alien (1) alliteration (3) alphabet (1) alphabet poem (2) altered books (1) altered pages (2) altered reality magazine (2) amanda blue gotera (7) amelia blue gotera (6) american gothic (1) american sonnet (1) amok (1) amy lowell (1) anacreon (1) anacreontics (1) anaphora (4) andre norton (1) andrea boltwood (19) andrew davidson (1) andrew marvell (1) andrew oldham (1) angelina jolie (1) angels (1) animation (1) anna montgomery (3) anne reynolds (1) annie e. existence (1) annie finch (1) anny ballardini (1) anti- (1) antonio taguba (2) aprille (1) art (7) arturo islas (1) ash wednesday (1) asian american (4) assonance (2) astronomy (2) aswang (13) aswang wars (1) atlanta rhythm section (1) axolotl (1) bakunawa (1) balato (1) ballad (2) barack obama (7) barbara jane reyes (1) barry a. morris (1) bass (2) bataan (5) becca andrea (1) beetle (2) belinda subraman (2) beowulf (1) best american poetry (1) beverly cassidy (1) bible (1) bill clinton (1) billy collins (2) blank verse (10) bob boynton (1) body farm (1) bolo (1) bongbong marcos (3) bop (1) brandt cotherman (1) brian brodeur (2) brian garrison (1) bruce johnson (1) bruce niedt (5) buddah moskowitz (2) buddy holly (1) burns stanza (1) callaloo (1) candida fajardo gotera (5) cardinal sin (1) carlos bulosan (1) carlos santana (2) carmina figurata (3) carolina matsumura gotera (1) caroline klocksiem (1) carrie arizona (3) carrieola (3) carriezona (1) catherine childress pritchard (1) catherine pritchard childress (37) catullus (1) cebu (1) cecilia manguerra brainard (1) cedar falls (6) cedar falls public library (1) cento (1) charles a hogan (2) ChatGPT (1) chess (1) childhood (1) children's poetry (1) China (1) chorus of glories (1) chris durietz (1) christmas (2) christopher smart (1) chuck pahlaniuk (1) cinquain (1) civil rights (1) clarean sonnet (2) clarice (1) classics iv (1) cleave hay(na)ku (2) clerihews (3) cliché (1) common meter (1) computers (1) concrete poem (1) concreteness (1) consonance (5) coolest month (1) cory aquino (2) couplet (5) couplet quatrains (2) crab (1) craft (5) creative nonfiction (1) crewrt-l (1) crucifixion (1) curtal sonnet (51) dactyls (2) daily palette (1) damián ortega (1) dan hartman (1) danielle filas (1) dante (5) dashiki (1) david foster wallace (1) david kopaska-merkel (1) david wojahn (1) de jackson (2) decasyllabics (4) denise duhamel (1) deviantART (3) dick powell (1) diction (1) didactic cinquain (1) dinosaur (2) disaster relief (1) divine comedy (1) dodecasyllables (1) doggerel (2) doggie diner (1) don johnson (1) donald trump (8) dr who (3) dr. seuss (1) draft (2) dragon (1) dragonfly (17) dreams & nightmares (1) drug addiction (1) drums (1) duplex (1) dusty springfield (1) dylan thomas (1) e e cummings (1) e-book (1) earth day (1) ebay (2) eclipse (5) ecopoetry (1) ed hill (1) edgar allan poe (2) edgar lee masters (1) edgar rice burroughs (1) editing (1) eeyore (1) eileen tabios (9) ekphrasis (3) ekphrastic poem (4) ekphrastic review (1) election (2) elegy (3) elevenie (1) elizabeth alexander (2) elizabeth bishop (2) elvis presley (1) emily dickinson (9) emma trelles (1) end-stop (3) english sonnet (1) englyn milwer (1) enita meadows (1) enjambed rhyme (1) enjambment (5) enola gay (1) envelope quatrain (1) environment (1) erasure poetry (9) erin mcreynolds (4) ernest lawrence thayer (1) exxon valdez oil spill (1) f. j. bergman (1) f. scott fitzgerald (1) facebook (3) family (4) fantasy (1) fashion (1) ferdinand magellan (1) ferdinand marcos (5) fib (3) fiction (3) fiera lingue (1) fighting kite (4) filipino (language) (1) filipino americans (6) filipino poetry (1) filipino veterans equity (3) filipinos (5) film (3) final thursday press (1) final thursday reading series (2) flannery o'connor (3) florence & the machine (1) flute (1) fortune cookie (1) found poem (1) found poetry (6) found poetry review (2) fourteeners (1) fox news (1) frank frazetta (1) frankenstein (1) franny choi (1) fred unwin (1) free verse (3) fructuosa gotera (1) fyodor dostoevsky (1) gabriel garcía márquez (1) gambling (1) garrett hongo (1) gary kelley (1) gawain (1) genre (1) george w. bush (1) gerard manley hopkins (13) ghazal (2) ghost wars (5) ghosts of a low moon (1) gogol bordello (1) golden shovel (5) goodreads (1) google (1) gotera (1) grace kelly (1) grant tracey (1) grant wood (4) grateful dead (1) greek mythology (1) gregory k pincus (1) grendel (1) griffin lit (1) grimm (1) grinnell college (2) growing up (1) growing up filipino (2) guest blogger (1) guillaume appolinaire (1) guitar (9) gulf war (1) gustave doré (3) guy de maupassant (1) gwendolyn brooks (4) gypsy art show (1) gypsy punk (1) hades (1) haggard hawks (1) haibun (4) haiga (1) haiku (29) haiku sonnet (3) hart crane (1) hawak kamay (1) hay(na)ku (23) hay(na)ku sonnet (13) header (1) hearst center for the arts (2) heirloom (1) herman melville (1) hey joe (1) hieronymus bosch (1) hiroshima (1) hiv here & now (1) homer (1) how a poem happens (2) humboldt state university (1) humor (1) hybrid sonnet (4) hymnal stanza (1) iain m. banks (1) iamb (1) iambic pentameter (1) ian parks (1) ibanez (1) imagery (1) imelda marcos (4) immigrants (1) imogen heap (1) indiana university (1) inigo online magazine (1) ink! (1) insect (2) insects (1) international hotel (1) international space station (1) interview (3) introduction (2) iowa (2) Iowa poet laureate (2) iran (1) iran-iraq war (1) irving levinson (1) italian bicycle (1) italian sonnet (2) ivania velez (2) j. d. schraffenberger (4) j. i. kleinberg (3) j. k. rowling (1) jack horner (2) jack kerouac (1) jack p nantell (1) james brown (1) james gorman (2) james joyce (1) jan d. hodges (1) japan (1) jasmine dreame wagner (1) jeanette winterson (1) jedediah dougherty (1) jedediah kurth (31) jennifer bullis (1) jesse graves (1) jessica hagedorn (1) jessica mchugh (2) jim daniels (1) jim hall (1) jim hiduke (1) jim o'loughlin (2) jim simmerman (3) jimi hendrix (3) jimmy fallon (1) joan osborne (1) joe mcnally (1) john barth (1) john charles lawrence (2) john clare (1) john donne (1) john gardner (1) john mccain (1) john prine (1) john welsh iii (2) joseph solo (1) josh hamzehee (1) joyce kilmer (1) justine wagner (1) kampilan (1) kathleen ann lawrence (1) kathy reichs (1) kay ryan (2) keith welsh (1) kelly cherry (1) kelly christiansen (1) kenning (1) kennings poem (3) killjoy (1) kim groninga (1) kimo (6) king arthur (1) king tut (1) knight fight (1) kumadre (1) kumpadre (1) kurt vonnegut (1) kyell gold (1) landays (1) lapu-lapu (1) lapwing publications (1) laurie kolp (2) leonardo da vinci (1) les paul (1) leslie kebschull (1) lester smith (1) library (1) library of congress (2) limerick (3) linda parsons marion (1) linda sue grimes (2) lineation (6) linked haiku (9) linked tanka (2) list poem (5) little brown brother (1) little free libraries (3) lorette c. luzajic (1) lost (tv) (1) louise glück (1) luis buñuel (1) lune (2) lydia lunch (1) machismo (1) magazines (1) mah jong (1) man ray (1) manananggal (2) manong (3) margaret atwood (2) maria fleuette deguzman (1) marianne moore (1) marilyn cavicchia (1) marilyn hacker (1) mark jarman (1) marriage (1) martin avila gotera (17) martin luther king jr. (1) marty gotera (5) marty mcgoey (1) mary ann blue gotera (8) mary biddinger (1) mary roberts rinehart award (1) mary shelley (1) matchbook (1) maura stanton (1) maureen thorson (386) maurice manning (1) meena rose (3) megan hippler (1) melanie villines (1) melanie wolfe (1) melina blue gotera (3) mental illness (1) metapoem (1) meter (7) mfa (2) michael heffernan (3) michael martone (2) michael ondaatje (1) michael shermer (2) michael spence (1) michelle obama (1) middle witch (1) minotaur (1) mirror northwest (1) misky (1) molossus (1) monkey (1) monorhyme (2) monostich (1) morel mushrooms (2) mueller report (1) multiverse (1) mushroom hunting (1) music (3) muslim (1) my custom writer blog (1) myth (1) mythology (3) nagasaki (1) naked blonde writer (1) naked girls reading (1) naked novelist (1) napowrimo (393) narrative (2) natalya st. clair (1) nathan dahlhauser (1) nathaniel hawthorne (1) national geographic (3) national poetry month (393) native american (1) neil gaiman (2) neoformalism (1) New Formalists (1) New York School (1) nick carbó (3) ninang (1) nonet (1) north american review (7) north american review blog (2) ode (1) of books and such (1) of this and such (1) onegin stanza (2) ottava rima (2) oulipo (1) oumumua (1) pablo picasso (2) pacific crossing (1) padre timoteo gotera (1) painting (1) palestinian american (1) palindrome (1) palinode (1) palmer hall (1) pantoum (2) paradelle (2) paranormal (1) parkersburg iowa (1) parody (6) parody poetry journal (1) parol (1) pastoral poetry (1) pat bertram (2) pat martin (1) paula berinstein (1) pause for the cause (2) pca/aca (1) peace (2) peace of mind band (1) pecan grove press (2) pepito gotera (1) percy bysshe shelley (2) performance poetry (1) persephone (1) persona poem (3) peter padua (1) petrarch (1) petrarchan sonnet (22) phil memmer (1) philip larkin (1) philippine news (1) philippine scouts (6) philippine-american war (1) philippines (8) phish (1) pinoy (1) pinoy poetics (1) pixie lott (1) podcast (1) podcasts (3) poem-a-day challenge (391) poetics (6) poetry (5) poetry imitation (1) poetry international (1) poetry palooza (1) poetry reading (4) poets against (the) war (2) pop culture (2) popcorn press (1) prejudice (1) presidio of san francisco (1) prime numbers (1) prime-sentence poem (1) prince (3) princess grace foundation (1) promotion (1) prose poem (7) proverbs (1) pterosaur (1) ptsd (2) puppini sisters (1) puptent poets (2) pushkin sonnet (2) pyrrhic (1) quatrain (4) quatrains (1) r.e.m. (1) rachel morgan (3) racism (1) rainer maria rilke (1) rap (1) rattle (1) ray fajardo (1) ray harryhausen (1) reggie lee (1) rembrandt (1) ren powell (1) reverse golden shovel (1) reviews (1) revision (1) rhyme (8) rhysling awards (4) rhythm (1) richard fay (1) richard hugo (1) rick griffin (1) rime (1) rippled mirror hay(na)ku (1) robert bly (1) robert frost (2) robert fulghum (1) robert j christenson (1) robert lee brewer (391) robert mezey (1) robert neville (1) robert zemeckis (1) rock and roll (2) roger zelazny (1) rolling stones (1) romanian (1) ron kowit (1) ronald wallace (2) rondeau (1) ross gay (1) roundelay (1) rubaiyat (1) rubaiyat sonnet (1) run-d.m.c. (1) saade mustafa (1) salt publishing (1) salvador dali (4) san francisco (8) sandra cisneros (1) santa claus (1) santana (1) sapphics (1) sarah deppe (1) sarah palin (1) sarah smith (26) satan (1) sayaka alessandra (1) schizophrenia (1) science fiction (2) science fiction poetry association (1) science friction (1) scifaiku (1) scott walker (1) screaming monkeys (1) scripture (1) sculpture (1) sea chantey (1) sena jeter naslund (1) senryu (5) sestina (9) sevenling (1) shadorma (2) shaindel beers (2) shakespeare (1) shakespearean sonnet (8) sharon olds (2) shawn wong (1) shiites or shia (1) shoreline of infinity (1) sidney bechet (1) sijo (2) skateboard (1) skeltonics (2) skylaar amann (1) slant rhyme (6) slide shows (1) small fires press (1) sniper (1) somersault abecedarian (1) somonka (1) sonnet (43) sonnetina (4) soul (1) southeast asian american (1) spanish (1) specificity (1) speculative poetry (1) spenserian stanza (1) spiraling abecedarian (1) spondee (1) spooky (1) sprung rhythm (1) st. patrick's day (1) stanford university (1) stanley meltzoff (1) stanza (1) stars and stripes (2) stereogram (1) steve hazlewood (1) steve mcqueen (1) stevie nicks (1) stone canoe (2) sue boynton (1) suite101 (2) sunflowers (1) surges (1) susan l. chast (1) syllabics (1) sylvia plath (2) synesthesia (1) syzygy poetry journal (2) t. m. sandrock (1) t. s. eliot (2) tamandua (1) tanka (25) tanka prose (4) tanka sequence (1) tanya tucker (1) tarzan (1) taylor swift (1) teaching creative writing (2) ted kooser (1) term paper mill (1) terrance hayes (2) terza rima (10) terza rima haiku sonnet (8) terzaiku sonnet (4) terzanelle (1) tetrameter (1) the byrds (1) the coolest month (1) the warning (1) the who (1) thomas alan holmes (215) thomas crofts (4) thomas faivre-duboz (1) thunderstorm (1) thurifer (1) tiger (1) tilly the laughing housewife (1) time travel (1) tom perrotta (1) tom petty (1) tom phillips (1) tone hønebø (1) toni morrison (2) tornado (1) total eclipse (4) translation (2) translitic (4) tribute in light (1) trickster (1) triolet (8) triskaidekaphobia (1) tritina (1) trochee (1) trope (1) tucson (1) typhoon haiyan (1) typhoon yolanda (1) university of northern iowa (6) unrhymed sonnet (2) us army (7) valentine's day (1) vampire (2) ven batista (29) verses typhoon yolanda (1) veterans' day (2) via dolorosa (1) video poetry (6) vietnam war (4) viktor vasnetsov (1) villanelle (3) vince del monte (1) vincent van gogh (1) virgil wren (1) virtual blog tour (1) visual poetry (3) vladimir putin (1) volkswagen (1) w. somerset maugham (1) walking dead (1) wallace stevens (3) walt mcdonald (1) walt whitman (4) war (7) war in afghanistan (2) war in iraq (2) wartburg college (1) waterloo (1) whypoetrymatters (1) wile e. coyote (1) wilfred owen (1) william blake (1) william carlos williams (1) william f tout (1) william gibson (1) william oandasan (1) william shakespeare (3) wind (1) winslow homer (1) winter (1) women's art (1) wooster review (1) wordy 30 (1) writing (1) writing away retreats (1) writing show (1) wwii (6) young adult (1) yusef komunyakaa (6) zone 3 (1)